With a trailer that promises quite the spectacle whilst simultaneously giving nothing away, it was hard to tell what awaited audience members when going to see Babylon.
Suffice to say, when the first ten minutes hits you with projectile diarrhoea from an elephant, a mass orgy and a grand (although, perhaps grand is too small a word) house party, from that point on, director Damien Chazelle has you in the palm of his hand.
An ode to the golden age of cinema like never seen before, we follow the transition of silence to sound (and the troubles that came with it) from the perspective of three individuals and their struggles within the industry; a has-been (Brad Pitt), a star (Margot Robbie) and a go-getter (Diego Calva).
But, despite the carnage left, right and centre, the characters are having a blast and you can’t help but have that blast with them.
Though the stories belong to that of fictionalized individuals, the world in which they find themselves in, isn’t. With a leading man who bears a striking resemblance to John Gilbert and an unfortunate occurrence in the first act which isn’t too dissimilar to that of a certain “Fatty” Arbuckle incident, we’re being given a semi-truthful glimpse into the past.
However, unlike Chazelle’s previous movie (La La Land), as well as the glamourous world of lights, camera, and action, this picture focuses more on taking you into the darker, seedier underbelly of 1920s Hollywood. But, despite the carnage left, right and centre, the characters are having a blast and you can’t help but have that blast with them.
An absolutely tremendous cast that exudes the classic era, but Tobey Maguire steals the show, unsettling you with his mere (brief but very memorable) presence.
A spectacular, hilarious, must-see movie that leaves you with the message that times change and nothing stands in the way of progress… especially actors.
Jacked In Reviews ‘Psycho’ (1960)
On June 16th, 1960, Alfred Hitchcock’s rollercoaster of suspense, Psycho, first premiered in New York. On October […]
Jacked In Reviews ‘Licorice Pizza’ (2021)
Similar to Paul Thomas Anderson, Jacked In’s Jack has a massive appreciation for the vintage aesthetic. So, it’s […]
Jacked in Reviews ‘Beetlejuice Beetlejuice’ (2024)
Tim Burton’s sequel to the 1988 cult classic once again follows the Deetz’s, with Lydia (Winona Ryder) […]
Jacked In Recommends ‘Color Out of Space’ (2019)
Color Out of Space, absurd, horrendous and f*cking wonderful all in one! This intimate, trippy, sci-fi, horror […]
Jacked In Reviews ‘Longlegs’ (2024)
We open on an Oregon farm in the dead of winter through the POV of what looks like a ‘70s home video. A young child […]
Jacked In Recommends ‘The Iron Giant’ (1999)
The Iron Giant follows the story of Hogarth, a young boy who befriends a giant robot from outer space. Not knowing […]
Jacked In Reviews ‘Renfield’ (2023)
Today’s setting is the classic screen found at Newcastle’s Tyneside Cinema, with very apt red velvet seats in […]
Jacked In Reviews ‘Beau Is Afraid’ (2023)
Ari Aster’s (Hereditary & Midsommar) no two movies have been the same and although Beau Is Afraid has Aster […]
Jacked In Reviews ‘Wicked Little Letters’ (2024)
Thea Sharrock’s Wicked Little Letters, a movie that is British from head to toe, so what better place to […]
Jacked In Reviews ‘The Suicide Squad’ (2021)
With the same premise as the previous movie (and obviously its literary inspiration) The Suicide Squad follows a […]
Jacked In Recommends ‘Death Becomes Her’ (1992)
Death Becomes Her follows the toxic friendship of Madeline Ashton (Meryl Streep) and Helen Sharp (Goldie Hawn). […]
Jacked In Reviews ‘Misdirection’ (2023)
Every now and again you’re given a film that doesn’t necessarily have a start, middle and end but still manages to […]













