Unlike previous MCU instalments, Multiverse of Madness sees Sam Raimi at the helm, the legendary director who, if it weren’t for his vision that brought us Spider-Man (2002), superhero movies might not have been what they are today.
In short, ever since the director for this movie was announced, expectations were pretty high.
Continue reading “Jacked In Reviews ‘Doctor Strange in the Multiverse of Madness’ (2022)”Trisha Yearwood’s How Do I Live begins to play over the opening credits and we are met with two stoners watching the finale of Con Air. Straight away you know this movie is going to give Nicolas Cage fans everything they want (and then some). Continue reading “Jacked In Reviews ‘The Unbearable Weight of Massive Talent’ (2022)”
After a release date which was delayed time and time again, Sony’s Marvel movie, Morbius finally hits the big screen. So, the main question on everyone’s mind is, was it worth the wait?… The Short answer, no.
Continue reading “Jacked In Reviews ‘Morbius’ (2022)”As we tour Gotham city on a dark, rainy night accompanied by a gritty narration announcing it’s “October 31st”, you can’t help but feel like you’re within the pages of Frank Miller’s The Dark Knight Returns.
“They think I’m hiding in the shadows… But I am the shadows.”
Shortly after this, we’re met with the Mayor of Gotham City, who meets his fate – in quite a brutal fashion – at the hands of our main antagonist, The Riddler (Paul Dano) and with that, we get straight into it.
Continue reading “Jacked In Reviews ‘The Batman’ (2022)”This week Jacked In’s, Jack attended Tyneside Cinema’s classic screen to view the adaptation for Agatha Christie’s even more classic novel, Death on the Nile.
Continue reading “Jacked In Reviews ‘Death on the Nile’ (2022)”Originally starting as a series about a group of buddies carrying out stunts and pranks on each other, Jackass went on to spawn several feature films with bigger budgets that allowed these crazy individuals to take their antics to even greater heights. It’s fair to say Jackass certainly isn’t for everyone but love it or hate it, you know what you’re getting, and Jackass Forever certainly follows this tradition. Watching a bunch of people putting themselves in harm’s way for our amusement, what could be better?
Continue reading “Jacked In Reviews ‘Jackass Forever’ (2022)”After perusing their menu, Jacked In’s, Jack, grabbed a seat at Tyneside Cinema on 13/01/2022 and ordered Philip Barantini’s anxiety-inducing, one continuous shot, masterpiece, Boiling Point.
Continue reading “Jacked In Reviews ‘Boiling Point’ (2021)”Similar to Paul Thomas Anderson, Jacked In’s Jack has a massive appreciation for the vintage aesthetic. So, it’s only right that he viewed Anderson’s latest feature, Licorice Pizza, on 35mm for another classic experience at Newcastle upon Tyne’s Tyneside Cinema.
Continue reading “Jacked In Reviews ‘Licorice Pizza’ (2021)”As the movie opens – following a brief tour of the underbelly of an automobile – we see a middle-aged man trying his damnedest to concentrate on the road whilst his young daughter, Alexia, misbehaves in the backseat, continuing to distract him.
Before we know it, she undoes her seatbelt and the Dad skids the car to a halt, causing Alexia’s head to brutally connect with the passenger window. You start to feel like a horrendous human being as a slight grin begins to pull on your face and with that you realize… Julia Ducournau (Raw) has done it again.
Continue reading “Jacked In Reviews ‘Titane’ (2021)”1999, the year a movie was released that broke grounds like no movie before it. It showed a bleak outlook on the future of humanity as they were harvested by machines, whilst a fake world, known as The Matrix, is pulled over their eyes. The war between humanity and AI was being fought in both the real world and the simulated world. The only difference being, with one’s RSI (Residual Self Image), you’re able to bend the rules and kick some serious ass… and then some.
It’s been nearly two decades since the gravity-defying, action-packed, mind-melting, cyberpunk franchise last graced the big screen. And with that, we swallow the red pill to see how deep the rabbit hole goes in Lana Wachowski’s, The Matrix Resurrections.
Continue reading “Jacked In Reviews ‘The Matrix Resurrections’ (2021)”For fear of having to dodge spoilers like the Green Goblin’s pumpkin grenades, Jacked In’s Jack hit the theatre bright and early on December 15th, 2021 to get involved in Spider-Man: No Way Home (in IMAX of course).
Continue reading “Jacked In Reviews ‘Spider-Man: No Way Home’ (2021)”To solve the ongoing debate for whether or not Die Hard is in fact a Christmas movie, Jacked In’s Jack, reinvestigated by seeing the movie on the big screen at Tyneside Cinema on December 3rd 2021… Yippee-Ki-Yay, Motherf*cker!
Continue reading “Jacked In Reviews ‘Die Hard’ (1988)”As the eerie paranormal music begins to play over the opening credits of Ghostbusters: Afterlife you’re immediately transported back to the ‘80s. Quickly followed by practical effects for some ghostly smoke, demonic hands busting out of chairs and a quick glimpse of aged, former Ghostbuster, Egon Spengler with the classic P.K.E meter and ghost trap, all this in the first scene and you are f*cking ready for this movie!.. Who Ya Gonna Call?
Continue reading “Jacked In Reviews ‘Ghostbusters: Afterlife’ (2021)”Edgar Wright’s Last Night in Soho is a psychological thriller that sees a young student who is able to travel back in time to 1960s London, how’s that for a slice of fried gold?!
Continue reading “Jacked In Reviews ‘Last Night in Soho’ (2021)”On June 16th, 1960, Alfred Hitchcock’s rollercoaster of suspense, Psycho, first premiered in New York. On October 29th, 2021, sixty-one years later, Jacked In’s, Jack saw the horror classic on the big screen for the very first time, at Newcastle upon Tyne’s Tyneside Cinema.
The cinema’s vintage aesthetic, accompanied by the red curtain reclining just above the screen, complemented this classic, black and white picture perfectly. Despite being a movie I’ve seen many times before, when Bernard Herrmann’s score played alongside the – larger than life – opening credits as I was nestled in a velvet theatre seat; all those previous viewings fell by the wayside.
Continue reading “Jacked In Reviews ‘Psycho’ (1960)”
