Little did I know, when swinging my limbs on the dance floor to Melodies of Love, in March 2022 – complete with 80s attire, shades and a cigarette in hand – I’d be on the film set for a groundbreaking piece of cinema.
Almost a year later, this week, I was honoured to attend the prescreening for Georgia Oakley’s, Blue Jean. Given that the feature takes place during the dreaded enforcement of Section 28, what better time to watch than LGBT+ month? And given its North East setting, what better place, than Tyneside Cinema?
Straight away, everything down to the last detail stinks of effort, from the shell suits to the splendid sounds of 80s music. We follow the story of Jean (Rosy McEwen), a lesbian PE teacher from 1988’s Tyneside who draws a very forceful line between her work and social life – during a part of Britain’s history that is severely under-told.
However, although it takes place during a time when homosexuality was discouraged, that isn’t necessarily the only story being told here. More so that we have this person that doesn’t feel content with who they are and because of this the movie has such a wide appeal, reaching out to those who have felt like an outcast or haven’t been sure of their station in life at one point or another.
It communicates the struggles subtly, giving a rich sense of authenticity as we see an individual trying to blend in with society, even if it means suppressing who they truly are.
If mass rebellion in the third act is what you’re after, this isn’t the flick for you, as it’s a semi-fictional tale and that’s not how things actually transpired. Instead, it communicates the struggles subtly, giving a rich sense of authenticity as we see an individual trying to blend in with society, even if it means suppressing who they truly are.
Tremendous performances from the three leads (McEwen, Kerrie Hayes & Lucy Halliday) each playing lesbians at very different stages of “out”. But, from this Novocastrian film fanatic, a respectful tip of the hat to McEwen who nails one of the hardest accents to pull off in the U.K.
Hopefully, this opens more doors for those under-told stories and strong narratives set in the North East of England.
Jacked In Recommends ‘Don’t Look Up’ (2021)
Based on real events… That haven’t happened… Yet. Don’t Look Up tells the story of two minor league […]
Jacked In Recommends ‘Barbarian’ (2022)
Tess (Georgina Campbell) is visiting from out of town for the interview of a lifetime. Unfortunately, after a bit […]
Jacked In Reviews ‘Red Fox’ (2023)
Red Fox tells a powerful tale of blurred “justice” and despair, as a bunch of deluded folk of faith hunt a homeless […]
Jacked In Reviews ‘Bird Drone’ (2023)
Radheya Jegatheva brings us a captivating story of a lonely seagull who befriends a drone.
Jacked In Recommends ‘The Lost Daughter’ (2021)
Based on the novel by Elena Ferrante, The Lost Daughter tells the tale of Leda (Olivia Colman), a middle-aged, […]
Jacked In Reviews ‘Perspective’ (2023)
Perspective chucks you straight into the deep end as we follow the story of Mike (Velton J Lishke) – an […]
Jacked In Reviews ‘Hundreds of Beavers’ (2022)
As we open on a black & white prologue showing a mixture of live action and animation, we see the infamous Jean […]
Jacked In Recommends ‘There Will Be Blood’ (2007)
We find ourselves at the turn of the 20th century following the life of miner turned oilman, Daniel Plainview […]
Jacked In Recommends ‘Color Out of Space’ (2019)
Color Out of Space, absurd, horrendous and f*cking wonderful all in one! This intimate, trippy, sci-fi, horror […]
Behind The Scenes of Sam Raimi’s ‘Evil Dead II’
For a lot of Evil Dead fans, Evil Dead II is perhaps regarded as their favourite instalment to the franchise. Doing […]
Jacked In Reviews ‘Spider-Man: No Way Home’ (2021)
For fear of having to dodge spoilers like the Green Goblin’s pumpkin grenades, Jacked In’s Jack hit the […]
Jacked In Recommends ‘Hereditary’ (2018)
Following the life of a dysfunctional family, as they grieve, this abysmal world and the characters within it […]