Little did I know, when swinging my limbs on the dance floor to Melodies of Love, in March 2022 – complete with 80s attire, shades and a cigarette in hand – I’d be on the film set for a groundbreaking piece of cinema.
Almost a year later, this week, I was honoured to attend the prescreening for Georgia Oakley’s, Blue Jean. Given that the feature takes place during the dreaded enforcement of Section 28, what better time to watch than LGBT+ month? And given its North East setting, what better place, than Tyneside Cinema?
Straight away, everything down to the last detail stinks of effort, from the shell suits to the splendid sounds of 80s music. We follow the story of Jean (Rosy McEwen), a lesbian PE teacher from 1988’s Tyneside who draws a very forceful line between her work and social life – during a part of Britain’s history that is severely under-told.
However, although it takes place during a time when homosexuality was discouraged, that isn’t necessarily the only story being told here. More so that we have this person that doesn’t feel content with who they are and because of this the movie has such a wide appeal, reaching out to those who have felt like an outcast or haven’t been sure of their station in life at one point or another.
It communicates the struggles subtly, giving a rich sense of authenticity as we see an individual trying to blend in with society, even if it means suppressing who they truly are.
If mass rebellion in the third act is what you’re after, this isn’t the flick for you, as it’s a semi-fictional tale and that’s not how things actually transpired. Instead, it communicates the struggles subtly, giving a rich sense of authenticity as we see an individual trying to blend in with society, even if it means suppressing who they truly are.
Tremendous performances from the three leads (McEwen, Kerrie Hayes & Lucy Halliday) each playing lesbians at very different stages of “out”. But, from this Novocastrian film fanatic, a respectful tip of the hat to McEwen who nails one of the hardest accents to pull off in the U.K.
Hopefully, this opens more doors for those under-told stories and strong narratives set in the North East of England.
Jacked In Recommends ‘The Butterfly Effect’ (2004)
Evan Treborn (Ashton Kutcher) has reached his adult years being a constant sufferer of blackouts which have caused […]
Jacked In Reviews ‘Licorice Pizza’ (2021)
Similar to Paul Thomas Anderson, Jacked In’s Jack has a massive appreciation for the vintage aesthetic. So, it’s […]
Jacked In Reviews ‘Everything Everywhere All at Once’ (2022)
As well as the trailer for Everything Everywhere All at Once being packed with variety, the tagline for this movie […]
Jacked In Recommends ‘Thir13en Ghosts’ (2001)
After losing his wife in a tragic house fire, Arthur Kriticos (Tony Shalhoub) struggles to make ends meet for him […]
Jacked In Recommends ‘The Santa Clause’ (1994)
A movie responsible for a generation of adults spelling Santa Claus wrong, we have The Santa Clause. The story […]
Jacked In Reviews ‘Oh No, Guano!’ (2023)
Dan McGee’s Oh No, Guano! tells the story of an individual (Christian PK Reeve) trying to reach a job […]
Jacked In Recommends ‘The Platform’ (2019)
The Platform AKA El hoyo follows the story of Goreng (Ivan Massagué) and his abysmal days spent in isolation. The […]
Jacked In Reviews ‘Akira’ (1988)
Last year Akira was rereleased in 4K IMAX, reminding audiences why this visually stunning, mind-melting, […]
The Most Memorable Movie Santas
Over the years there have been many Christmas movies, telling their own festive tales, however, there is one […]
Jacked In Recommends ‘The King of Staten Island’ (2020)
Judd Apatow’s The King of Staten Island follows the life of local islander, Scott (Pete Davidson), a wannabe […]
Jacked In Recommends ‘Man Bites Dog’ (1992)
Man Bites Dog AKA C’est arrivé près de chez vous (1992) is a darkly comedic mockumentary that sees a film […]
Jacked In Reviews ‘Die Hard’ (1988)
To solve the ongoing debate for whether or not Die Hard is in fact a Christmas movie, Jacked In’s Jack, […]