After a 4 year hiatus, a new Hellraiser dawns on the big (well, depending on the size of your television) screen and we brace ourselves, ready to be immersed in the sadomasochistic world of Clive Barker once again…
We have such sights to show you.
Following the story of Riley (Odessa A’zion), a recovering alcoholic trying to sort her life out, her AA partner and lover, Trevor (Drew Starkey) offers her a B & E opportunity that will hopefully allow her to come into a bit of wealth. Unfortunately, the only reward that awaits them is a mysterious kind of puzzle box. After trying to decipher this ancient device, it isn’t long before evil extradimensional beings begin picking her friends off one by one.
Now, you try your best not to have any expectations and tell every fibre of your being not to make any comparisons. Unfortunately, it seems an almost impossible task when a less-than-memorable title sequence doesn’t even raise expectations, let alone hell…
Anticipation is built before being introduced to the long-awaited cenobites. Sadly, although creative in their design, it is very apparent they are no more than actors in prosthetics, a far cry from their ’80s predecessors. It also seems that ever since the franchise opted to use the cenobites as villains as opposed to umpires and veered away from the intimate setting of the first instalment, the recipe for what made Clive Barker’s original so great seems to have been lost.
Feeling more like that of a noughties teen slasher flick with the underwhelming gore factor, it’s only in the final act does it start to feel like a genuine Barker property. However, the downside to the third act resembling that of an original Hellraiser film – even bringing back the classic score – is the feature no longer knows what it’s trying to be. Is it an original, a homage or some sort of confusing continuation?
All in all, it’s worth a watch as Jamie Clayton truly is the best Pinhead (well, Priest) we’ve had since Doug Bradley and totally makes the role her own. Although, Gary J. Tunnicliffe (makeup effects creator) perhaps said it best about what is required when taking on a Hellraiser movie:
I think there’s a taboo to this material that needs a dark presence or someone with some darkness to their soul.
And sadly, this instalment just doesn’t seem to have that presence.
Jacked In Reviews ‘Nope’ (2022)
Similar to Jordan Peele’s last feature (Us), Nope opens with a subplot – the aftermath of a series of brutal […]
Jacked In Reviews ‘Pearl’ (2023)
As we open on a quaint barn in the countryside, we realize this seems awfully familiar. However, it’s too bright, […]
Jacked In Recommends ‘Dredd’ (2012)
Dredd does exactly what an adaptation should and makes the source material its own, whilst staying true to the […]
Jacked In Recommends ‘Eighth Grade’ (2018)
We follow the life of Kayla (Elsie Fisher), a social pariah who is in the process of completing Eighth Grade. A […]
Jacked In Recommends ‘Bone Tomahawk’ (2015)
Bone Tomahawk takes place in the small western town of Bright Hope and locals are shuck up after an outlaw wanders […]
Jacked In Reviews ‘Call the Shepherd – Lambing Time’ (2023)
As we follow the day in the life of a lamb farmer, from the get-go it’s clear that this documentary is going to […]
Jacked In Recommends ‘There Will Be Blood’ (2007)
We find ourselves at the turn of the 20th century following the life of miner turned oilman, Daniel Plainview […]
Jacked In Recommends ‘Frailty’ (2001)
Frailty begins with numerous victims going missing all over Texas, courtesy of the God’s Hand Killer. All of a […]
Jacked In Reviews ‘Spider-Man: Across the Spider-Verse’ (2023)
As we open on the sequel for one of the greatest Spider-Man/Comic Book/Animated movies of all time, we’re welcomed […]
Jacked In Reviews ‘Joker’ (2019)
Brutal homicides, cigarettes and a cool as f*ck slow-motion dance down the stairs sequence (just ignore the Gary […]
Jacked In Recommends ‘The Iron Giant’ (1999)
The Iron Giant follows the story of Hogarth, a young boy who befriends a giant robot from outer space. Not knowing […]
Jacked In Recommends ‘Klaus’ (2019)
After being labelled as the postal academy’s worst employee, Jesper (Jason Schwartzman) is reassigned to a frozen […]