After a 4 year hiatus, a new Hellraiser dawns on the big (well, depending on the size of your television) screen and we brace ourselves, ready to be immersed in the sadomasochistic world of Clive Barker once again…
We have such sights to show you.
Following the story of Riley (Odessa A’zion), a recovering alcoholic trying to sort her life out, her AA partner and lover, Trevor (Drew Starkey) offers her a B & E opportunity that will hopefully allow her to come into a bit of wealth. Unfortunately, the only reward that awaits them is a mysterious kind of puzzle box. After trying to decipher this ancient device, it isn’t long before evil extradimensional beings begin picking her friends off one by one.
Now, you try your best not to have any expectations and tell every fibre of your being not to make any comparisons. Unfortunately, it seems an almost impossible task when a less-than-memorable title sequence doesn’t even raise expectations, let alone hell…
Anticipation is built before being introduced to the long-awaited cenobites. Sadly, although creative in their design, it is very apparent they are no more than actors in prosthetics, a far cry from their ’80s predecessors. It also seems that ever since the franchise opted to use the cenobites as villains as opposed to umpires and veered away from the intimate setting of the first instalment, the recipe for what made Clive Barker’s original so great seems to have been lost.
Feeling more like that of a noughties teen slasher flick with the underwhelming gore factor, it’s only in the final act does it start to feel like a genuine Barker property. However, the downside to the third act resembling that of an original Hellraiser film – even bringing back the classic score – is the feature no longer knows what it’s trying to be. Is it an original, a homage or some sort of confusing continuation?
All in all, it’s worth a watch as Jamie Clayton truly is the best Pinhead (well, Priest) we’ve had since Doug Bradley and totally makes the role her own. Although, Gary J. Tunnicliffe (makeup effects creator) perhaps said it best about what is required when taking on a Hellraiser movie:
I think there’s a taboo to this material that needs a dark presence or someone with some darkness to their soul.
And sadly, this instalment just doesn’t seem to have that presence.
Jacked In Reviews ‘Dune: Part Two’ (2024)
Picking up from where we left off, Denis Villeneuve’s sequel gives us a more granular, in-depth experience for the […]
Jacked In Reviews ‘Huldufólk’ (2023)
Derived from Faroese folk tales – written by Joseph Mountain and directed by Jonny Dixon – Huldufólk […]
Jacked In Recommends ‘24 Hour Party People’ (2002)
A semi-fictional tale of how Manchester’s alternative music scene was born as it follows the life of Factory […]
Jacked In Recommends ‘There Will Be Blood’ (2007)
We find ourselves at the turn of the 20th century following the life of miner turned oilman, Daniel Plainview […]
Fictional Movie Bands We’d Love To See Live
It’s safe to say movies have incorporated some brilliant artists into their soundtracks over the years, […]
Jacked In Reviews ‘Doctor Strange in the Multiverse of Madness’ (2022)
Unlike previous MCU instalments, Multiverse of Madness sees Sam Raimi at the helm, the legendary director who, if […]
Jacked In Reviews ‘Mickey 17’ (2025)
We open on a partially frozen individual, Mickey (Robert Pattinson) – who has unfortunately fallen into a […]
Jacked In Reviews ‘Licorice Pizza’ (2021)
Similar to Paul Thomas Anderson, Jacked In’s Jack has a massive appreciation for the vintage aesthetic. So, it’s […]
Jacked In Reviews ‘Beau Is Afraid’ (2023)
Ari Aster’s (Hereditary & Midsommar) no two movies have been the same and although Beau Is Afraid has Aster […]
Behind The Scenes of ‘Back to the Future’
Back to the Future, easily one of the biggest staples in the world of cinema. Marty McFly, the coolest kid in the […]
Behind The Scene Tales From ‘An American Werewolf In London’
John Landis’ An American Werewolf in London is a cult classic in the world of horror and owes a lot of the […]
Jacked In Reviews ‘Kinds of Kindness’ (2024)
If you go into the movie with no preconceptions, what initially appears to be a chapter set up eventually reveals […]