Jacked In Reviews ‘Joker’ (2019)

Photo: Warner Bros. Pictures

Brutal homicides, cigarettes and a cool as f*ck slow-motion dance down the stairs sequence (just ignore the Gary Glitter part. . . He didn’t get any royalties so it’s all good), Todd Phillip’s Joker falls into the same category as Christopher Nolan’s Dark Knight, in that it’s not just a brilliant comic book movie, but a brilliant movie in general.

However, what worked as a strength for Nolan’s Joker (Heath Ledger), was the mystery behind the character, not knowing anything about his past made him more sinister. Pre-Joker, Arthur Fleck (Joaquin Phoenix) is the opposite. He provides a more in-depth look into how one of the most infamous characters in history came to be so twisted.

Making nods to the likes of Alan Moore’s The Killing Joke we see Arthur as a struggling comedian (of sorts). The difference being, the main mindset of the Joker in Moore’s graphic novel is “All it takes is one bad day to reduce the sanest man alive to lunacy”, whereas here the world has been beating down on Arthur for quite some time. Even the great Thomas Wayne is a bit of a d*ck to poor Arthur, but not to worry, he gets his!

With a lot of movies in this genre, if a villain is the lead, he then becomes an anti-hero. Todd Phillips went the other way. He gave viewers an insight into the abuse Arthur faced from a young age, well into his adult years. First and foremost, this movie is more of an insight into mental health and just happens to be about the Joker. The fact it is a comic book property, is secondary, separating it from a lot of hero/villain adaptations out there.

From start to finish you don’t see one kind hand extended to Arthur, causing you to empathise with the character, and perhaps more profoundly, understand why he is the way he is. This movie gives a straight approach to a very sensitive subject and totally nails it. It takes the character to depths darker than we’ve ever seen before on screen, whilst simultaneously being able to incorporate the zany side of, The Clown Prince of Crime, which we love so much. He’s also very thoughtful when it comes to opening doors for those who can’t reach the handle.

It succeeded in proving that you don’t need to copy the MCU’s formula and can instead concentrate on a solo movie with a solid plot and characters.

All in all, by saying you loved this interpretation, it doesn’t mean you’re swearing your alliance to it and dismissing the others, don’t worry. This is simply a different approach to the character with a new, gritty take on the world around him.

Rating: 4.5 out of 5.

Jacked In Recommends ‘Girl in the Picture’ (2022)

After the body of a young woman is found by the authorities, they discover she has left behind a son and a man […]

Read more

Jacked In Recommends ‘The Platform’ (2019)

The Platform AKA El hoyo follows the story of Goreng (Ivan Massagué) and his abysmal days spent in isolation. The […]

Read more

Jacked In Reviews ‘It’s John’ (2023)

It’s John follows amateur filmmaker Smithy Jones (Victor Hampson), and his rag-tag team of actors who are in the […]

Read more

Behind The Scenes of John Carpenter’s ‘The Thing’

A story of psychological horror and isolation, featuring scares like you’d never seen before with its […]

Read more

Jacked In Recommends ‘Hereditary’ (2018)

Following the life of a dysfunctional family, as they grieve, this abysmal world and the characters within it […]

Read more

Jacked In Reviews ‘Jackass Forever’ (2022)

Originally starting as a series about a group of buddies carrying out stunts and pranks on each other, Jackass went […]

Read more

11 Ways ‘Wanted’ Is Miles Away From Its Darkly Bizarre Comic Book Origins

In 2008 audiences were met with the movie Wanted starring James McAvoy and Angelina Jolie. The story sees […]

Read more

Jacked In Reviews ‘Last Night in Soho’ (2021)

Edgar Wright’s Last Night in Soho is a psychological thriller that sees a young student who is able to travel back […]

Read more

Jacked In Reviews ‘The Ribbon’ (2023)

We open on a young girl surrounded by (a foreshadowing) darkness but before we have time to start feeling worried, […]

Read more

Jacked In Reviews ‘The Surfer’ (2025)

As a yellow title contrasts against a gorgeous turquoise, Australian backdrop, it sets the colour palette for […]

Read more

Jacked In Recommends ‘The Pagemaster’ (1994)

The Pagemaster follows the life of an over-cautious boy, Richard Tyler (Macaulay Culkin), who buries himself in […]

Read more

Jacked In Reviews ‘Joker’ (2019)

Brutal homicides, cigarettes and a cool as f*ck slow-motion dance down the stairs sequence (just ignore the Gary […]

Read more