Jacked In Reviews ‘Natura’ (2023)

Natura
Photo: Furious Films

From the opening shot, you’re immediately captured by an open woodland which truly readies you for being emersed in nature (or Natura in this case) for the next hour.

The story sees a Jewish girl (Manya Muse) on the run from a Nazi war camp, navigating the wilderness trying to survive and adapting to the environment around her.

Despite the French location, this feature has universal appeal. With no dialogue whatsoever, the film masters the “show, don’t tell” technique allowing audiences to live vicariously through the leading lady. As well as this, due to the wild setting – away from cities and technology – it almost has a certain timeless aspect, with general survival being at the forefront of the plot.

An alternative World War II story that – thanks to the marvellous locations and gorgeous cinematography – manages to showcase a lot of beauty during a period that was so barbaric.

An alternative World War II story that – thanks to the marvellous locations and gorgeous cinematography – manages to showcase a lot of beauty during a period that was so barbaric.

That, as well as the gentle pacing which lures you into this wild world, accompanied by such a powerful score, this really is such an inspiring story of one person’s survival.

Rating: 4.5 out of 5.

Jacked In Reviews ‘Mortal Kombat’ (2021)

Video Game movies have a proven track record of not hitting the mark and can often be seen as a double-edged sword […]

Read more

Jacked In Recommends ‘The Butterfly Effect’ (2004)

Evan Treborn (Ashton Kutcher) has reached his adult years being a constant sufferer of blackouts which have caused […]

Read more

Jacked In Reviews ‘Huldufólk’ (2023)

Derived from Faroese folk tales – written by Joseph Mountain and directed by Jonny Dixon – Huldufólk […]

Read more

Jacked In Reviews ‘Furiosa: A Mad Max Saga’ (2024)

Before you can get comfy in your (IMAX, obviously) seat, George Miller quickly answers the question raised upon our […]

Read more

Jacked In Reviews ‘Misdirection’ (2023)

Every now and again you’re given a film that doesn’t necessarily have a start, middle and end but still manages to […]

Read more

Jacked In Reviews ‘Aldbrough’ (2023)

Gail Smith’s Aldbrough gives us a grainy, 8mm window into the past with archive footage of a town long gone.

Read more

Jacked In Reviews ‘Renfield’ (2023)

Today’s setting is the classic screen found at Newcastle’s Tyneside Cinema, with very apt red velvet seats in […]

Read more

Jacked In Reviews ‘Bite The Hand’ (2023)

Bite the Hand sees Grace (Lucy Shervington), an individual attending counselling for depression brought on by her […]

Read more

Jacked In Reviews ‘Dream Scenario’ (2023)

We recently paid a visit to Tyneside Cinema’s Gallery screen. The intimate space and alternative setting provided a […]

Read more

Jacked In Reviews ‘Noman’ (2022)

Matt Robb’s short horror, Noman brings the summoning/séance sub-genre to the 21st century, allowing audiences […]

Read more

Jacked In Recommends ‘The Iron Giant’ (1999)

The Iron Giant follows the story of Hogarth, a young boy who befriends a giant robot from outer space. Not knowing […]

Read more

Jacked In Reviews ‘The Five Stages of Wardrobe Assembly’ (2023)

A story of suppression, isolated from the outside world, we follow a young man (Kieran Mcmillan) as he begins […]

Read more