Orchid Moon follows the life of Harry (Jake Waring), a troubled individual with a burden he must suppress by any means necessary, taking us on a voyage through his troubled mindset.
It seems this particular filter is being brilliantly utilised to convey both style AND substance.
As we open on Lewis William Robinson’s black and white world, we initially think this is to convey the mood of the film. However, as we delve deeper, it becomes apparent this is a period piece and it seems this particular filter is being brilliantly utilised to convey both style AND substance. This along with a delightful score readies you for the tone ahead.
A tremendous noteworthy point to make is how the picture has a certain European quality to it in both cinematography and technique. In fact, without knowing anything else, it’s only when the cast first opens their mouths do you realise you’re watching British cinema.
He is surrounded by an array of brilliant supporting artists that keep the story moving forward.
This particular account of loss and inner demons is driven by visuals as opposed to heaps of excessive dialogue – thus having a universal appeal. Although at times Harry does feel slightly one-dimensional, he is surrounded by an array of brilliant supporting artists that keep the story moving forward.
The main downside is the movie’s pacing, at times feeling too slow. Even though the overall fashion in which this feature has been put together keeps you engaged, it could have potentially benefited from removing the “fluffier” scenes that didn’t drive the plot or add to any character development.
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