A story of suppression, isolated from the outside world, we follow a young man (Kieran Mcmillan) as he begins assembling a wardrobe – signifying his battle with the five stages of grief.
The cinematography is simplistic yet hypnotic, keeping you engaged throughout, in this intimate setting that does a lot with its solo cast.
The cinematography is simplistic yet hypnotic, keeping you engaged throughout, in this intimate setting that does a lot with its solo cast. However, although it’s clear the overall story is that of loss, in part, it may have left perhaps too much to the imagination with the subtler messages it was trying to convey.
All in all, it successfully communicates bereavement with a unique form of symbolism. And it’s always refreshing to see a student film that doesn’t fill the air with unnecessary words and instead allows the actions to tell the story.
11 Reasons Why ‘Superman III’ Is Better Than You Remember
Superman has certainly come a long way ever since Christopher Reeve reignited the character on the big screen back […]
Jacked In Recommends ‘The Fly’ (1986)
Seth Brundle (Jeff Goldblum), a bit of an oddball in the world of science, is currently working on his latest […]
Jacked In Reviews ‘Orchid Moon’ (2023)
Orchid Moon follows the life of Harry (Jake Waring), a troubled individual with a burden he must suppress by any […]
Jacked In Recommends ‘V for Vendetta’ (2005)
Based on Alan Moore’s DC comic series of the same name, written for the screen by The Wachowski’s (The Matrix), V […]
Jacked In Recommends ‘Hereditary’ (2018)
Following the life of a dysfunctional family, as they grieve, this abysmal world and the characters within it […]
Jacked In Reviews ‘Men’ (2022)
Following the passing of her husband, a young woman by the name of Harper (Jessie Buckley) decides to take a bit of […]
Jacked In Reviews ‘Sid’ (2023)
A tale that was just waiting to be told, Shahzaib Yaqoob’s short brings us a dark re-imagining, showing the […]
Jacked In Reviews ‘The Surfer’ (2025)
As a yellow title contrasts against a gorgeous turquoise, Australian backdrop, it sets the colour palette for […]
Jacked In Reviews ‘The Unbearable Weight of Massive Talent’ (2022)
Trisha Yearwood’s How Do I Live begins to play over the opening credits and we are met with two stoners watching […]
Jacked In Reviews ‘The Iron Claw’ (2023)
The pillars surrounding the screen at Tyneside Cinema provides the perfect opening, as a black and white man comes […]
Jacked In Recommends ‘The Lost Daughter’ (2021)
Based on the novel by Elena Ferrante, The Lost Daughter tells the tale of Leda (Olivia Colman), a middle-aged, […]
Jacked In Reviews ‘The Defender’ (2023)
Gary J Hewitt’s The Defender pretty much delivers what it promises on the tin. This is a story we’ve seen […]