As the story of Thor: Love and Thunder begins we get a compilation that fills in what Thor (Chris Hemsworth) has been up to between Endgame and now – namely working out and getting back in shape to his gorgeous god self once again. The opening tale is narrated by Korg (Taika Waititi) making the laughs pretty much start from the get-go. And with that, the tone for this instalment to the MCU is set.
Thor’s newfound partnership with the Guardians of the Galaxy is short-lived after he finds out a great evil threatens his fellow Asgardians and he must depart. This evil is in the form of Gorr the God Butcher (Christian Bale), a misguided individual, hellbent on revenge after the loss of his daughter.
Ever since 2008’s Iron Man we’ve seen a whole multitude of characters and directors at the wheel to tell their individual stories. And now that there are so many stories intertwined with one another, the styles of said movies all seem to be becoming more and more similar, almost as if Kevin Fiege is the artist and each Director is a different brush – you can tell a different brush has been used but all in all, it’s the artist’s style you recognise most.
However, similar to Thor: Ragnarok, Waititi has made this instalment his own, bringing a fun and comedic dynamic to the MCU once again. Hemsworth nails the cocksure God of Thunder with those hilarious idiosyncrasies you only find when he and Waititi get together. As well as some returning faces, Natalie Portman slides into her role as a now much more suped-up Jane foster with ease. Finally, we have Bale returning to the world of Comic Book movies, laying down his Batarang in favour of the Necrosword, giving a truly unsettling performance as Gorr.
It’s not as groundbreaking as Ragnorok, this could be due to Waititi’s direction for the character no longer being new, the less vibrant setting, the lack of Hulk/Loki or perhaps it’s the fact that Phase Four is still a bit unclear in terms of its end goal. In saying that, this takes nothing away from Love and Thunder’s entertaining journey which is packed with variety. From hilarious screaming mountain goats to magnificent badassery throughout, rest assured, you shan’t be disappointed with this pleasant addition to the Marvel Cinematic Universe. Although, if you weren’t a fan of Waititi’s previous instalment or his humour, this may not be the movie for you.
Jacked In Reviews ‘Last Night in Soho’ (2021)
Edgar Wright’s Last Night in Soho is a psychological thriller that sees a young student who is able to travel back […]
Jacked In Reviews ‘Nope’ (2022)
Similar to Jordan Peele’s last feature (Us), Nope opens with a subplot – the aftermath of a series of brutal […]
Jacked In Recommends ‘One Hour Photo’ (2002)
One Hour Photo follows the story of SavMart photo technician, Sy, The Photo Guy (Robin Willaims). However, although […]
Jacked In Reviews ‘Jackass Forever’ (2022)
Originally starting as a series about a group of buddies carrying out stunts and pranks on each other, Jackass went […]
Jacked In Reviews ‘The Batman’ (2022)
As we tour Gotham city on a dark, rainy night accompanied by a gritty narration announcing it’s “October 31st”, you […]
Jacked In Reviews ‘Natura’ (2023)
From the opening shot, you’re immediately captured by an open woodland which truly readies you for being emersed in […]
Jacked In Reviews ‘Bite The Hand’ (2023)
Bite the Hand sees Grace (Lucy Shervington), an individual attending counselling for depression brought on by her […]
Jacked In Recommends ‘Don’t Look Up’ (2021)
Based on real events… That haven’t happened… Yet. Don’t Look Up tells the story of two minor league […]
Fictional Movie Bands We’d Love To See Live
It’s safe to say movies have incorporated some brilliant artists into their soundtracks over the years, […]
Jacked In Reviews ‘Titane’ (2021)
As the movie opens – following a brief tour of the underbelly of an automobile – we see a middle-aged […]
Jacked In Recommends ‘Thir13en Ghosts’ (2001)
After losing his wife in a tragic house fire, Arthur Kriticos (Tony Shalhoub) struggles to make ends meet for him […]
Jacked In Reviews ‘The Afterlife Photo’ (2023)
Director and writer, Tatsuaki Mizoi brings us an individual (Mitsuki Moriyama) who hires a photography studio to […]













