Similar to the Safdie brothers previous feature, Good Time, this movie does not take its foot off the pedal from the moment it starts. Not only that, but much like Punch, Drunk, Love this feature reminds us, Adam Sandler is an amazing actor!
We follow the lifestyle of Howard Ratner (Sandler), a jeweller, in a mountain of debt blessed with the gift of the gab. Constantly trying to outrun his problems, both socially and professionally. On the surface, he’s simply a gambling-addicted jeweller, that despite being battered and bruised (and then some) by those he’s gotten on the wrong side of (namely the mob), he always manages to bounce back looking for the next big score.
Further insight into his life however and we begin to see the other layers that makeup Howard Ratner. His wife Dinah (Idina Menzel) and kids shine a light onto Howards more Jewish values and sensibilities. His young, attractive, somewhat dim-witted secretary/mistress completes this headache of a love triangle. Howard’s luck seems to have finally changed when he stumbles upon a rare uncut rock of Ethiopian gem. Although this wouldn’t be the movie it is without one solution being followed by numerous extra problems.
Howard as an individual seems to use the stress around him as a sort of jolt, as in, he’s at his best when under pressure. Constantly moving from one problem to another, with his impenetrable optimism. As an onlooker, however, it’s like watching multiple near-miss crashes, one after the other. Almost like the sensation you get when on a rollercoaster, this feature leaves you in a constant state of anxiety.
Alfred Hitchock described suspense as letting the audience know there’s a briefcase under a table that’s about to explode in fifteen minutes. As opposed to the audience being unaware of the bomb, you go from having a quick fifteen-second surprise, to fifteen minutes of suspense. This analogy seems very apt for Uncut Gems. Only, in this instance, there are multiple bombs throughout the feature and they don’t all fully detonate until the closing credits, giving you 2 hours and 15 minutes of constant suspense.
Jacked In Reviews ‘Nope’ (2022)
Similar to Jordan Peele’s last feature (Us), Nope opens with a subplot – the aftermath of a series of brutal […]
Jacked In Recommends ‘The Black Cauldron’ (1985)
A Disney feature that follows the story of Taran (Grant Bardsley), a young assistant pig-keeper who dreams of one […]
Jacked In Reviews ‘Die Hard’ (1988)
To solve the ongoing debate for whether or not Die Hard is in fact a Christmas movie, Jacked In’s Jack, […]
Jacked In Reviews ‘The Turk’ (2023)
The Turk is a comedy that tells the tale of two buddies, Tom (Matthew Kay) and Glen (Elliott Eason) on the hunt for […]
Jacked In Reviews ‘Aldbrough’ (2023)
Gail Smith’s Aldbrough gives us a grainy, 8mm window into the past with archive footage of a town long gone.
Jacked In Reviews ‘Red Fox’ (2023)
Red Fox tells a powerful tale of blurred “justice” and despair, as a bunch of deluded folk of faith hunt a homeless […]
Jacked In Recommends ‘Color Out of Space’ (2019)
Color Out of Space, absurd, horrendous and f*cking wonderful all in one! This intimate, trippy, sci-fi, horror […]
Jacked In Reviews ‘Titane’ (2021)
As the movie opens – following a brief tour of the underbelly of an automobile – we see a middle-aged […]
Jacked In Reviews ‘Huldufólk’ (2023)
Derived from Faroese folk tales – written by Joseph Mountain and directed by Jonny Dixon – Huldufólk […]
Jacked in Reviews ‘Beetlejuice Beetlejuice’ (2024)
Tim Burton’s sequel to the 1988 cult classic once again follows the Deetz’s, with Lydia (Winona Ryder) […]
Jacked In Reviews ‘Killers of the Flower Moon’ (2023)
As we open on members of the Osage people amid – what can only be described as – a spiritual oil rave, […]
Jacked In Recommends ‘Rear Window’ (1954)
An Alfred Hitchock classic, Rear Window follows the life of L.B. Jeffries (James Stewart), a recently […]