We open with a particularly, classic, demonic POV as it gives us a tour of what seems to be a familiar woodland setting. However, once met with a lake-bound boardwalk – which leads to a complete stranger of a cabin – we immediately realise things will be going in a slightly different direction for Lee Cronin’s Evil Dead Rise.
No longer taking place in a remote location, wickedness now takes hold of an apartment complex currently occupied by mother, Ellie (Alyssa Sutherland), her three children and her “groupie” sister, Beth (Lily Sullivan) who has unexpectedly dropped in for a visit. Other than the actual year this takes place, it’s hard to tell where this instalment fits into the Evil Dead timeline, as no references are made to past iterations and we’re met with a completely new book of the dead. No book has ever looked the same in any two movies so maybe that is moot, however, the location in which it’s discovered may cause a slight puzzlement to fans of the previous films.

The key components are there – demonic deadites, copious amounts of gore and of course, a chainsaw – but something’s missing.
Although it brings everything fanatics love about the franchise, there’s something a bit off. It’s almost as if AI designed an Evil Dead movie, the key components are there – demonic deadites, copious amounts of gore and of course, a chainsaw – but something’s missing.
A bit too tame to be in Sam Raimi’s universe, nevertheless, it certainly has its moments, one scene, in particular, is absolutely GRATE, unfortunately, there’s just not enough of these instances. At times it almost seems like your stereotypical, run-of-the-mill possession movie… discounting the finale when the antagonist resembles something straight out of H.P. Lovecraft.
It’s a gory, fun-filled blast, Sutherland completely steals the show and it does bring some fresh elements to this world that haven’t been explored before.
It’s a gory, fun-filled blast, Sutherland completely steals the show and it does bring some fresh elements to this world that haven’t been explored before. Who knows if Evil Dead (2013) hadn’t come out, the movie may have had a different impact on 21st-century audiences, unfortunately, this flick’s predecessor may have just set the bar slightly too high.
Jacked In Recommends ‘Hereditary’ (2018)
Following the life of a dysfunctional family, as they grieve, this abysmal world and the characters within it […]
Jacked In Recommends ‘Evil Dead’ (2013)
Evil Dead follows a bunch of youths staying in a cabin whilst attempting to help their drug-addicted friend, Mia […]
23 Batman Movie Moments You’ll Never Forget
Over the years we’ve had many interpretations of Batman, his villains, Gotham city and just the whole aesthetic of […]
Jacked In Recommends ‘24 Hour Party People’ (2002)
A semi-fictional tale of how Manchester’s alternative music scene was born as it follows the life of Factory […]
Jacked In Recommends ‘The Santa Clause’ (1994)
A movie responsible for a generation of adults spelling Santa Claus wrong, we have The Santa Clause. The story […]
Jacked In Reviews ‘Joker: Folie à Deux’ (2024)
The much-anticipated sequel to Todd Phillip’s groundbreakingly, grounded comic book movie is finally upon us. Now, […]
Jacked In Reviews ‘Joker’ (2019)
Brutal homicides, cigarettes and a cool as f*ck slow-motion dance down the stairs sequence (just ignore the Gary […]
Behind The Scenes of Sam Raimi’s ‘Evil Dead II’
For a lot of Evil Dead fans, Evil Dead II is perhaps regarded as their favourite instalment to the franchise. Doing […]
Jacked In Reviews ‘Wish I Were There’ (2023)
Directed, written and animated by Neil Baker, Wish I Were There is an ode to the English seaside.
Jacked In Reviews ‘Spider-Man: No Way Home’ (2021)
For fear of having to dodge spoilers like the Green Goblin’s pumpkin grenades, Jacked In’s Jack hit the […]
Jacked In Reviews ‘Hellraiser’ (2022)
After a 4 year hiatus, a new Hellraiser dawns on the big (well, depending on the size of your television) screen […]
Jacked In Recommends ‘I Don’t Feel at Home in This World Anymore’ (2017)
Putting up with all the unfairness the world has dealt her, the last straw is finally reached for Ruth (Melanie […]













