We open with a particularly, classic, demonic POV as it gives us a tour of what seems to be a familiar woodland setting. However, once met with a lake-bound boardwalk – which leads to a complete stranger of a cabin – we immediately realise things will be going in a slightly different direction for Lee Cronin’s Evil Dead Rise.
No longer taking place in a remote location, wickedness now takes hold of an apartment complex currently occupied by mother, Ellie (Alyssa Sutherland), her three children and her “groupie” sister, Beth (Lily Sullivan) who has unexpectedly dropped in for a visit. Other than the actual year this takes place, it’s hard to tell where this instalment fits into the Evil Dead timeline, as no references are made to past iterations and we’re met with a completely new book of the dead. No book has ever looked the same in any two movies so maybe that is moot, however, the location in which it’s discovered may cause a slight puzzlement to fans of the previous films.

The key components are there – demonic deadites, copious amounts of gore and of course, a chainsaw – but something’s missing.
Although it brings everything fanatics love about the franchise, there’s something a bit off. It’s almost as if AI designed an Evil Dead movie, the key components are there – demonic deadites, copious amounts of gore and of course, a chainsaw – but something’s missing.
A bit too tame to be in Sam Raimi’s universe, nevertheless, it certainly has its moments, one scene, in particular, is absolutely GRATE, unfortunately, there’s just not enough of these instances. At times it almost seems like your stereotypical, run-of-the-mill possession movie… discounting the finale when the antagonist resembles something straight out of H.P. Lovecraft.
It’s a gory, fun-filled blast, Sutherland completely steals the show and it does bring some fresh elements to this world that haven’t been explored before.
It’s a gory, fun-filled blast, Sutherland completely steals the show and it does bring some fresh elements to this world that haven’t been explored before. Who knows if Evil Dead (2013) hadn’t come out, the movie may have had a different impact on 21st-century audiences, unfortunately, this flick’s predecessor may have just set the bar slightly too high.
Jacked In Reviews ‘Furiosa: A Mad Max Saga’ (2024)
Before you can get comfy in your (IMAX, obviously) seat, George Miller quickly answers the question raised upon our […]
Jacked In Reviews ‘Oh No, Guano!’ (2023)
Dan McGee’s Oh No, Guano! tells the story of an individual (Christian PK Reeve) trying to reach a job […]
Jacked In Reviews ‘The Fantastic Four: First Steps’ (2025)
A spotlight illuminates 60s-esque show host, Ted Gilbert (Mark Gatus), who proceeds to bring us up to speed on the […]
Jacked In Reviews ‘The Turk’ (2023)
The Turk is a comedy that tells the tale of two buddies, Tom (Matthew Kay) and Glen (Elliott Eason) on the hunt for […]
Jacked In Reviews ‘Mean’ (2023)
Director, Joshua Blewitt brings us chauvinistic, narcissist, movie lover and filmmaker, Chez Florentine (Joe […]
Jacked In Reviews ‘Doctor Strange in the Multiverse of Madness’ (2022)
Unlike previous MCU instalments, Multiverse of Madness sees Sam Raimi at the helm, the legendary director who, if […]
Jacked In Reviews ‘Saltburn’ (2023)
Academy Award-winning, Emerald Fennell brings us her much-anticipated follow-up to Promising Young Woman. The […]
Jacked In Recommends ‘The Black Cauldron’ (1985)
A Disney feature that follows the story of Taran (Grant Bardsley), a young assistant pig-keeper who dreams of one […]
Jacked In Recommends ‘The Tinder Swindler’ (2022)
Swipe left, swipe right, left, right, left, left, right- IT’S A MATCH!.. Sound familiar? Tinder is one of the most […]
Jacked In Recommends ‘End of Days’ (1999)
It’s 1999 and the citizens of New York City are getting ready for the turn of the millennium. Unfortunately, […]
Jacked In Reviews ‘Orchid Moon’ (2023)
Orchid Moon follows the life of Harry (Jake Waring), a troubled individual with a burden he must suppress by any […]
Jacked In Recommends ‘Girl in the Picture’ (2022)
After the body of a young woman is found by the authorities, they discover she has left behind a son and a man […]













