Today’s setting is the classic screen found at Newcastle’s Tyneside Cinema, with very apt red velvet seats in order to better enjoy Nicholas Cage’s dapper Dracula. However, that’s not whose story we’re here to see, it is in fact his infamous insect-eating, sinister, servant… Renfield (Nicholas Hoult).
Although not marketed as such, Renfield actually serves as a direct sequel to Tod Browning’s Dracula (1931). For any classic horror fan, it is a treat for the eyes to see a familiar flashback, with Cage and Hoult seamlessly added into some classic black and white cinema.

Cage – who has been waiting almost his entire acting career to sink his teeth into this role – absolutely steals the show as the Prince of Darkness, balancing suave and scary as well as bringing a hellish hilarity the way he does best.
Hoult showcases Renfield not as a willing servant but as someone trying to break free from quite a toxic relationship with the Count. Not only that but for the first time ever, an action-hero dynamic is brought to the character. Cage – who has been waiting almost his entire acting career to sink his teeth into this role – absolutely steals the show as the Prince of Darkness, balancing suave and scary as well as bringing a hellish hilarity the way he does best.
As far as tonality goes, the movie clearly isn’t trying to duplicate the style of the original. For what Dracula (1931) lacked in gore and action, this flick more than makes up for it, however, it still is nowhere near a groundbreaking masterpiece to that of its predecessor.
The supporting characters and overall story may be lacking but it’s definitely a fresh perspective on these household names but if you’re after a fun, blood-filled, action-comedy, this is the movie for you. And of course, why wouldn’t you want to see Nick Cage living his best life as Count Dracula?
Jacked In Reviews ‘The Fantastic Four: First Steps’ (2025)
A spotlight illuminates 60s-esque show host, Ted Gilbert (Mark Gatus), who proceeds to bring us up to speed on the […]
Jacked In Reviews ‘Script in Progress’ (2023)
Bruno Guillard’s Script in Progress aka En cours d’écriture sees a documentary crew following creative […]
Jacked In Reviews ‘Longlegs’ (2024)
We open on an Oregon farm in the dead of winter through the POV of what looks like a ‘70s home video. A young child […]
Jacked In Reviews ‘Babylon’ (2023)
With a trailer that promises quite the spectacle whilst simultaneously giving nothing away, it was hard to tell […]
Jacked In Reviews ‘Kinds of Kindness’ (2024)
If you go into the movie with no preconceptions, what initially appears to be a chapter set up eventually reveals […]
Jacked In Reviews ‘Riley & Rambo’ (2023)
A day in the life of, we follow a young boy by the name of Riley as he journeys around the Bradford area collecting […]
Jacked In Reviews ‘Brian and Charles’ (2022)
Brian and Charles follows the story of Brian (David Earl), a lonesome, wannabe inventor, who resides in the Welsh […]
Jacked In Recommends ‘I Don’t Feel at Home in This World Anymore’ (2017)
Putting up with all the unfairness the world has dealt her, the last straw is finally reached for Ruth (Melanie […]
Jacked In Reviews ‘Hundreds of Beavers’ (2022)
As we open on a black & white prologue showing a mixture of live action and animation, we see the infamous Jean […]
Jacked In Reviews ‘All My Friends Hate Me’ (2021)
All My Friends Hate Me is set over the course of a weekend, following the story of Pete (Tom Stourton), who is […]
Jacked In Recommends ‘24 Hour Party People’ (2002)
A semi-fictional tale of how Manchester’s alternative music scene was born as it follows the life of Factory […]
Jacked In Reviews ‘Orchid Moon’ (2023)
Orchid Moon follows the life of Harry (Jake Waring), a troubled individual with a burden he must suppress by any […]













