Director, Joshua Blewitt brings us chauvinistic, narcissist, movie lover and filmmaker, Chez Florentine (Joe Carmichael), amidst the release of his latest (very controversial) flick, Mean.
Opening on a talking heads/interview is the first entry we are given in a film with subject matter which is clearly an ode to films, filmmaking and the numerous techniques and artistic choices that come with it.
With varied styles, the cinematography ropes you in, keeping you engaged throughout. However, these multiple styles also leave this short struggling from a tonality point of view. Not to say the contrast doesn’t work but the script may have just been a tad heavy for lead, Carmichael, who doesn’t necessarily demonstrate the passion for film that his onscreen counterpart required, convincingly.
As an artist, there is a difference between the stories you want to tell and the stories you’ve been asked to tell.
Mean serves as more than just a title, not only doesn’t it hit on the downsides of the movie industry but it represents 21st-century filmmaking in the age where the internet has a voice and everyone is a critic. Although the ending falls a little flat, the finale does succeed in leaving you with a strong message: As an artist, there is a difference between the stories you want to tell and the stories you’ve been asked to tell.
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