As we open on a quaint barn in the countryside, we realize this seems awfully familiar. However, it’s too bright, vibrant and not to mention, clean, to allow our brains to connect the dots for where we’ve seen this farm before. It’s only when we see a helpless goose perish at the end of a pitchfork – before being fed to an alligator – do we realize that we are being transported back several decades to witness the trials and tribulations of X’s much younger (but just as crazy), Pearl.
Moving away from a nod to 70s horror, we now find ourselves in the year 1918 with a style that isn’t too dissimilar to The Wizard of Oz – only, imagine Dorothy never leaves Kansas and is an absolute psychopath. With a high contrast in the movie’s colour palette, despite the minimalist, rural setting, everything looks positively gorgeous. Not to mention this makes the red throughout the movie truly blossom, both through Mia Goth’s wardrobe and of course, the more violent segments.
You’ll often hear pros and cons regarding which order to watch a prequel but watching this movie after its predecessor is certainly advised. Not only to allow you to enter the movie with an already acquired intrigue for how a deranged old dear came to be, but it also laces the whole movie with a sense of sadness, as we know how the story – of this individual who dreams of being a star – ends.
Goth brings such an intense, authenticity to the role.
No longer hidden behind prosthetics or restricted by her advancing years, Goth brings such an intense, authenticity to the role. With something as simple as a smile (that goes on for quite a hauntingly, inordinate amount of time), the craziness of her character truly shines.
In terms of tone, pacing, and story (and obviously, the location), it can be said that X shares a lot of similar qualities with Tobe Hooper’s The Texas Chainsaw Massacre. When telling these stories, it seems director, Ti West is encompassing the styles of the decades in which his films are situated. For that reason, it’s important to note that Pearl can’t be compared to X, as a barbecue is to a roast, the flavour is completely different.
Not only is it refreshing two see two very unique instalments within the same franchise but it’s definitely fair to say that anticipation is already building West’s third instalment and its ’80s setting… MaXXXine.
Jacked In Recommends ‘The Tinder Swindler’ (2022)
Swipe left, swipe right, left, right, left, left, right- IT’S A MATCH!.. Sound familiar? Tinder is one of the most […]
Jacked In Reviews ‘Oh No, Guano!’ (2023)
Dan McGee’s Oh No, Guano! tells the story of an individual (Christian PK Reeve) trying to reach a job […]
Jacked In Recommends ‘The Fly’ (1986)
Seth Brundle (Jeff Goldblum), a bit of an oddball in the world of science, is currently working on his latest […]
Jacked In Reviews ‘Aldbrough’ (2023)
Gail Smith’s Aldbrough gives us a grainy, 8mm window into the past with archive footage of a town long gone.
Behind The Scenes of ‘Back to the Future Part II’
A sequel that a lot of fans argue to be their favourite in the time-travelling trilogy, we have Back to the Future […]
Most Memorable Stephen King Adaptations
When it comes to chilling someone to the very core, no one is more synonymous in the world of horror than Stephen […]
Jacked In Reviews ‘Breadwinner’ (2023)
Set in England, Oscar Bell’s Breadwinner presents an empathetic story during a time when the cost of living […]
Jacked In Reviews ‘Furiosa: A Mad Max Saga’ (2024)
Before you can get comfy in your (IMAX, obviously) seat, George Miller quickly answers the question raised upon our […]
Behind The Scenes of John Carpenter’s ‘The Thing’
A story of psychological horror and isolation, featuring scares like you’d never seen before with its […]
Jacked In Reviews ‘The Ribbon’ (2023)
We open on a young girl surrounded by (a foreshadowing) darkness but before we have time to start feeling worried, […]
Jacked In Reviews ‘The B Movie’ (2023)
The humble opening of Richard Bray’s documentary establishes what’s to come in terms of tone as we begin with […]
Jacked In Reviews ‘Script in Progress’ (2023)
Bruno Guillard’s Script in Progress aka En cours d’écriture sees a documentary crew following creative […]













