As we open on the sequel for one of the greatest Spider-Man/Comic Book/Animated movies of all time, we’re welcomed by Gwen Stacey’s (Hailee Steinfeld) narration, setting the tone for Spider-Man: Across the Spider-Verse with “Let’s do things differently this time. So differently.”
And she’s not wrong. Starting this time around in Stacey’s universe, “so differently” is just right; the world around her looks as if it belongs in a beautiful painting made up of watercolours.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor. Within the numerous styles of animation – that all stink of effort – the sequel also uses stunning visuals to evoke a tone or feeling, not to mention, execute some pretty awesome action sequences.
Much like the first instalment, one of the bonuses of a Miles Morales (Shameik Moore) story is the freshness of it all. Bringing lesser-used villains like, Spot (Jason Schwartzman) doesn’t just show the potential that lies outside of regurgitating the same characters we’ve seen time and time again. It simply demonstrates how successful it can be to tell these alternative stories whilst simultaneously incorporating tons of delicious easter eggs for Spidey fans everywhere.
What elevates ‘Spider-Verse’ from a great Spider-Man movie to that of a great movie, in general, is the heart.
However, what elevates Spider-Verse from a great Spider-Man movie to that of a great movie, in general, is the heart. Whether it be something as simplistic as a father talking to his son through a door, an upside-down conversation or a mother seeing her young boy growing into a man, the emotional segments of these films overtake their live-action peers by leaps and bounds. One can only hope that the creativity and originality that this franchise brings manages to THWIP its way into other Comic Book properties.
Jacked In Reviews ‘Beau Is Afraid’ (2023)
Ari Aster’s (Hereditary & Midsommar) no two movies have been the same and although Beau Is Afraid has Aster […]
Jacked In Reviews ‘Sid’ (2023)
A tale that was just waiting to be told, Shahzaib Yaqoob’s short brings us a dark re-imagining, showing the […]
Jacked In Reviews ‘Pearl’ (2023)
As we open on a quaint barn in the countryside, we realize this seems awfully familiar. However, it’s too bright, […]
Jacked In Reviews ‘Don’t Worry Darling’ (2022)
Bungalow homes, cars that look like electric shavers and a round of Gibson’s for everyone. The ’50s […]
Jacked In Recommends ‘End of Days’ (1999)
It’s 1999 and the citizens of New York City are getting ready for the turn of the millennium. Unfortunately, […]
Jacked In Reviews ‘John Wick: Chapter 4’ (2023)
Okay, let’s get down to it, boppers. As you settle into your IMAX cinema seat – all nice and cosy – the […]
Jacked In Reviews ‘Hellraiser’ (2022)
After a 4 year hiatus, a new Hellraiser dawns on the big (well, depending on the size of your television) screen […]
Jacked In Recommends ‘The Cabin in the Woods’ (2011)
A group of young friends decide to take a small trip to a secluded cabin in the middle of the woods, where not […]
Jacked In Reviews ‘Evil Dead Rise’ (2023)
We open with a particularly, classic, demonic POV as it gives us a tour of what seems to be a familiar woodland […]
Jacked In Reviews ‘Uncut Gems’ (2019)
Similar to the Safdie brothers previous feature, Good Time, this movie does not take its foot off the pedal from […]
Jacked In Recommends ‘Barbarian’ (2022)
Tess (Georgina Campbell) is visiting from out of town for the interview of a lifetime. Unfortunately, after a bit […]
Jacked In Recommends ‘Predestination’ (2014)
Predestination follows a temporal agent’s (Ethan Hawke) journey through time and space as he attempts to capture a […]