As we open on the sequel for one of the greatest Spider-Man/Comic Book/Animated movies of all time, we’re welcomed by Gwen Stacey’s (Hailee Steinfeld) narration, setting the tone for Spider-Man: Across the Spider-Verse with “Let’s do things differently this time. So differently.”
And she’s not wrong. Starting this time around in Stacey’s universe, “so differently” is just right; the world around her looks as if it belongs in a beautiful painting made up of watercolours.

Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor. Within the numerous styles of animation – that all stink of effort – the sequel also uses stunning visuals to evoke a tone or feeling, not to mention, execute some pretty awesome action sequences.
Much like the first instalment, one of the bonuses of a Miles Morales (Shameik Moore) story is the freshness of it all. Bringing lesser-used villains like, Spot (Jason Schwartzman) doesn’t just show the potential that lies outside of regurgitating the same characters we’ve seen time and time again. It simply demonstrates how successful it can be to tell these alternative stories whilst simultaneously incorporating tons of delicious easter eggs for Spidey fans everywhere.

What elevates ‘Spider-Verse’ from a great Spider-Man movie to that of a great movie, in general, is the heart.
However, what elevates Spider-Verse from a great Spider-Man movie to that of a great movie, in general, is the heart. Whether it be something as simplistic as a father talking to his son through a door, an upside-down conversation or a mother seeing her young boy growing into a man, the emotional segments of these films overtake their live-action peers by leaps and bounds. One can only hope that the creativity and originality that this franchise brings manages to THWIP its way into other Comic Book properties.
Jacked In Reviews ‘Riley & Rambo’ (2023)
A day in the life of, we follow a young boy by the name of Riley as he journeys around the Bradford area collecting […]
Jacked In Reviews ‘Misdirection’ (2023)
Every now and again you’re given a film that doesn’t necessarily have a start, middle and end but still manages to […]
Jacked In Reviews ‘Melanie’s Grave’ (2023)
A robber on the run chooses to lay low, away from prying eyes and the law. Unfortunately for him, the chosen […]
Jacked In Reviews ‘All My Friends Hate Me’ (2021)
All My Friends Hate Me is set over the course of a weekend, following the story of Pete (Tom Stourton), who is […]
Jacked In Reviews ‘Die Hard’ (1988)
To solve the ongoing debate for whether or not Die Hard is in fact a Christmas movie, Jacked In’s Jack, […]
Fictional Movie Bands We’d Love To See Live
It’s safe to say movies have incorporated some brilliant artists into their soundtracks over the years, […]
Jacked In Reviews ‘Titane’ (2021)
As the movie opens – following a brief tour of the underbelly of an automobile – we see a middle-aged […]
Jacked In Recommends ‘Death Becomes Her’ (1992)
Death Becomes Her follows the toxic friendship of Madeline Ashton (Meryl Streep) and Helen Sharp (Goldie Hawn). […]
Jacked In Recommends ‘Thir13en Ghosts’ (2001)
After losing his wife in a tragic house fire, Arthur Kriticos (Tony Shalhoub) struggles to make ends meet for him […]
Jacked In Recommends ‘Vanilla Sky’ (2001)
Vanilla Sky follows the story of David Aames (Tom Cruise), a handsome, somewhat conceited individual, blessed with […]
Jacked In Reviews ‘Da Block’ (2023)
Written by Jay Anthony Connor, director Velton J Lishke brings us the story of Mikey (Lladel Bryant) and Sully […]
Jacked In Reviews ‘Evil Dead Rise’ (2023)
We open with a particularly, classic, demonic POV as it gives us a tour of what seems to be a familiar woodland […]













