As we open on the sequel for one of the greatest Spider-Man/Comic Book/Animated movies of all time, we’re welcomed by Gwen Stacey’s (Hailee Steinfeld) narration, setting the tone for Spider-Man: Across the Spider-Verse with “Let’s do things differently this time. So differently.”
And she’s not wrong. Starting this time around in Stacey’s universe, “so differently” is just right; the world around her looks as if it belongs in a beautiful painting made up of watercolours.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor. Within the numerous styles of animation – that all stink of effort – the sequel also uses stunning visuals to evoke a tone or feeling, not to mention, execute some pretty awesome action sequences.
Much like the first instalment, one of the bonuses of a Miles Morales (Shameik Moore) story is the freshness of it all. Bringing lesser-used villains like, Spot (Jason Schwartzman) doesn’t just show the potential that lies outside of regurgitating the same characters we’ve seen time and time again. It simply demonstrates how successful it can be to tell these alternative stories whilst simultaneously incorporating tons of delicious easter eggs for Spidey fans everywhere.
What elevates ‘Spider-Verse’ from a great Spider-Man movie to that of a great movie, in general, is the heart.
However, what elevates Spider-Verse from a great Spider-Man movie to that of a great movie, in general, is the heart. Whether it be something as simplistic as a father talking to his son through a door, an upside-down conversation or a mother seeing her young boy growing into a man, the emotional segments of these films overtake their live-action peers by leaps and bounds. One can only hope that the creativity and originality that this franchise brings manages to THWIP its way into other Comic Book properties.
Behind The Scenes of ‘Back to the Future Part II’
A sequel that a lot of fans argue to be their favourite in the time-travelling trilogy, we have Back to the Future […]
Jacked In Recommends ‘The Monster Squad’ (1987)
Horror’s answer to The Goonies, The Monster Squad follows a bunch of kids in a club based around, you guessed it, […]
Jacked In Reviews ‘Babylon’ (2023)
With a trailer that promises quite the spectacle whilst simultaneously giving nothing away, it was hard to tell […]
Jacked In Reviews ‘Thor: Love and Thunder’ (2022)
As the story of Thor: Love and Thunder begins we get a compilation that fills in what Thor (Chris Hemsworth) has […]
Jacked In Recommends ‘Vanilla Sky’ (2001)
Vanilla Sky follows the story of David Aames (Tom Cruise), a handsome, somewhat conceited individual, blessed with […]
Jacked In Recommends ‘Frailty’ (2001)
Frailty begins with numerous victims going missing all over Texas, courtesy of the God’s Hand Killer. All of a […]
Jacked In Reviews ‘Nosferatu’ (2024)
Although we are greeted by Ellen Hutter (Lily-Rose Depp) covered in a dark, bluish hue (similar to the nighttime […]
Jacked In Reviews ‘The Whale’ (2022)
After a long hiatus, audiences at Tyneside Cinema welcome the beautiful soul that is Brendan Fraser back to the big […]
Jacked In Reviews ‘The Turk’ (2023)
The Turk is a comedy that tells the tale of two buddies, Tom (Matthew Kay) and Glen (Elliott Eason) on the hunt for […]
Jacked In Recommends ‘Evil Dead’ (2013)
Evil Dead follows a bunch of youths staying in a cabin whilst attempting to help their drug-addicted friend, Mia […]
Jacked In Recommends ‘Dredd’ (2012)
Dredd does exactly what an adaptation should and makes the source material its own, whilst staying true to the […]
Jacked In Reviews ‘Blue Jean’ (2023)
Little did I know, when swinging my limbs on the dance floor to Melodies of Love, in March 2022 – complete […]