Okay, let’s get down to it, boppers. As you settle into your IMAX cinema seat – all nice and cosy – the film starts to begin, and then, without warning your eardrums burst at the sound of wrapped fists hitting a bloodied board. This isn’t our first rodeo, we know there’s only one man that can throw a punch like that and his name… is John Wick (Keanu Reeves).
From the word go, he does not stop to rest, John just does what needs to be done, going harder than ever before – with his signature headshots and overall badassery.
It’s fair to say, the stakes are well and truly raised in Chapter 4, with the “big baddy” of this sequel, the Marquis Vincent De Gramont (Bill Skarsgård) who has all of the table at his disposal – particularly John’s old acquaintance, Caine (Donnie Yen). Ever since the devastating loss of his dog in Chapter 1, John has been a force to be reckoned with whilst on his neverending vengeful quest – and this film is no exception. From the word go, he does not stop to rest, John just does what needs to be done, going harder than ever before – with his signature headshots and overall badassery.
It has to be said, director, Chad Stahelski plasters his strengths all over the screen from start to finish. As well as the usual insanely awesome stunts and choreography, the cinematography almost makes you feel like you’re playing a “shoot ’em up” videogame and watching live-action anime simultaneously. Especially with the elongated shots and the use of colour between the action beats, it beautifully complements this world of assassination and martial arts.
There’s something to be said about action movie franchises that up the ante with each instalment, running the risk of going too far, too ridiculous, and no longer within the realms of believability from where it started. However, the Wick series truly is the exception that proves this fact. Why? Maybe it’s due to the fact our leading man is played by one of the most loveable humans in Hollywood or perhaps it’s Reeves’ dedication to the role, which adds some legitimacy to the character. Either way, much like this chapter’s predecessors, we are happy following Mr Wick anywhere he wishes to take us and these movies definitely don’t look like they’ll be wearing thin anytime soon.
Jacked In Reviews ‘Bite The Hand’ (2023)
Bite the Hand sees Grace (Lucy Shervington), an individual attending counselling for depression brought on by her […]
Jacked In Reviews ‘The Batman’ (2022)
As we tour Gotham city on a dark, rainy night accompanied by a gritty narration announcing it’s “October 31st”, you […]
Jacked In Reviews ‘Natura’ (2023)
From the opening shot, you’re immediately captured by an open woodland which truly readies you for being emersed in […]
Jacked In Reviews ‘Hundreds of Beavers’ (2022)
As we open on a black & white prologue showing a mixture of live action and animation, we see the infamous Jean […]
Jacked In Reviews ‘In Search of Darkness: 1990-1994’ (2024)
Writer/director, David A. Weiner and Creator Robin Block, the marvellous minds behind – arguably – one […]
Jacked In Recommends ‘One Hour Photo’ (2002)
One Hour Photo follows the story of SavMart photo technician, Sy, The Photo Guy (Robin Willaims). However, although […]
Jacked In Reviews ‘Orchid Moon’ (2023)
Orchid Moon follows the life of Harry (Jake Waring), a troubled individual with a burden he must suppress by any […]
Jacked In Recommends ‘I Don’t Feel at Home in This World Anymore’ (2017)
Putting up with all the unfairness the world has dealt her, the last straw is finally reached for Ruth (Melanie […]
Jacked In Recommends ‘Predestination’ (2014)
Predestination follows a temporal agent’s (Ethan Hawke) journey through time and space as he attempts to capture a […]
Jacked In Reviews ‘Spider-Man: Across the Spider-Verse’ (2023)
As we open on the sequel for one of the greatest Spider-Man/Comic Book/Animated movies of all time, we’re welcomed […]
Jacked In Recommends ‘Eighth Grade’ (2018)
We follow the life of Kayla (Elsie Fisher), a social pariah who is in the process of completing Eighth Grade. A […]
Jacked In Reviews ‘Killers of the Flower Moon’ (2023)
As we open on members of the Osage people amid – what can only be described as – a spiritual oil rave, […]













