As we open on a quaint barn in the countryside, we realize this seems awfully familiar. However, it’s too bright, vibrant and not to mention, clean, to allow our brains to connect the dots for where we’ve seen this farm before. It’s only when we see a helpless goose perish at the end of a pitchfork – before being fed to an alligator – do we realize that we are being transported back several decades to witness the trials and tribulations of X’s much younger (but just as crazy), Pearl.
Moving away from a nod to 70s horror, we now find ourselves in the year 1918 with a style that isn’t too dissimilar to The Wizard of Oz – only, imagine Dorothy never leaves Kansas and is an absolute psychopath. With a high contrast in the movie’s colour palette, despite the minimalist, rural setting, everything looks positively gorgeous. Not to mention this makes the red throughout the movie truly blossom, both through Mia Goth’s wardrobe and of course, the more violent segments.
You’ll often hear pros and cons regarding which order to watch a prequel but watching this movie after its predecessor is certainly advised. Not only to allow you to enter the movie with an already acquired intrigue for how a deranged old dear came to be, but it also laces the whole movie with a sense of sadness, as we know how the story – of this individual who dreams of being a star – ends.
Goth brings such an intense, authenticity to the role.
No longer hidden behind prosthetics or restricted by her advancing years, Goth brings such an intense, authenticity to the role. With something as simple as a smile (that goes on for quite a hauntingly, inordinate amount of time), the craziness of her character truly shines.
In terms of tone, pacing, and story (and obviously, the location), it can be said that X shares a lot of similar qualities with Tobe Hooper’s The Texas Chainsaw Massacre. When telling these stories, it seems director, Ti West is encompassing the styles of the decades in which his films are situated. For that reason, it’s important to note that Pearl can’t be compared to X, as a barbecue is to a roast, the flavour is completely different.
Not only is it refreshing two see two very unique instalments within the same franchise but it’s definitely fair to say that anticipation is already building West’s third instalment and its ’80s setting… MaXXXine.
Jacked In Recommends ‘The Pagemaster’ (1994)
The Pagemaster follows the life of an over-cautious boy, Richard Tyler (Macaulay Culkin), who buries himself in […]
Jacked In Reviews ‘Bite The Hand’ (2023)
Bite the Hand sees Grace (Lucy Shervington), an individual attending counselling for depression brought on by her […]
Jacked In Recommends ‘Barbarian’ (2022)
Tess (Georgina Campbell) is visiting from out of town for the interview of a lifetime. Unfortunately, after a bit […]
Jacked In Reviews ‘The Iron Claw’ (2023)
The pillars surrounding the screen at Tyneside Cinema provides the perfect opening, as a black and white man comes […]
Jacked In Reviews ‘Akira’ (1988)
Last year Akira was rereleased in 4K IMAX, reminding audiences why this visually stunning, mind-melting, […]
Jacked In Reviews ‘Fire At Will’ (2023)
Put in the line of fire, both physically and emotionally, the centre of our story is Will (James Whetstone) – […]
Jacked In Recommends ‘The Cabin in the Woods’ (2011)
A group of young friends decide to take a small trip to a secluded cabin in the middle of the woods, where not […]
Jacked In Recommends ‘Thir13en Ghosts’ (2001)
After losing his wife in a tragic house fire, Arthur Kriticos (Tony Shalhoub) struggles to make ends meet for him […]
Jacked In Reviews ‘Christopher.’ (2023)
We begin following the aftermath of multiple murders committed by the sociopathic salesman, Christopher. Then, […]
Jacked in Reviews ‘Beetlejuice Beetlejuice’ (2024)
Tim Burton’s sequel to the 1988 cult classic once again follows the Deetz’s, with Lydia (Winona Ryder) […]
Jacked In Reviews ‘Noman’ (2022)
Matt Robb’s short horror, Noman brings the summoning/séance sub-genre to the 21st century, allowing audiences […]
Jacked In Reviews ‘The Five Stages of Wardrobe Assembly’ (2023)
A story of suppression, isolated from the outside world, we follow a young man (Kieran Mcmillan) as he begins […]