Today’s setting is the classic screen found at Newcastle’s Tyneside Cinema, with very apt red velvet seats in order to better enjoy Nicholas Cage’s dapper Dracula. However, that’s not whose story we’re here to see, it is in fact his infamous insect-eating, sinister, servant… Renfield (Nicholas Hoult).
Although not marketed as such, Renfield actually serves as a direct sequel to Tod Browning’s Dracula (1931). For any classic horror fan, it is a treat for the eyes to see a familiar flashback, with Cage and Hoult seamlessly added into some classic black and white cinema.

Cage – who has been waiting almost his entire acting career to sink his teeth into this role – absolutely steals the show as the Prince of Darkness, balancing suave and scary as well as bringing a hellish hilarity the way he does best.
Hoult showcases Renfield not as a willing servant but as someone trying to break free from quite a toxic relationship with the Count. Not only that but for the first time ever, an action-hero dynamic is brought to the character. Cage – who has been waiting almost his entire acting career to sink his teeth into this role – absolutely steals the show as the Prince of Darkness, balancing suave and scary as well as bringing a hellish hilarity the way he does best.
As far as tonality goes, the movie clearly isn’t trying to duplicate the style of the original. For what Dracula (1931) lacked in gore and action, this flick more than makes up for it, however, it still is nowhere near a groundbreaking masterpiece to that of its predecessor.
The supporting characters and overall story may be lacking but it’s definitely a fresh perspective on these household names but if you’re after a fun, blood-filled, action-comedy, this is the movie for you. And of course, why wouldn’t you want to see Nick Cage living his best life as Count Dracula?
Jacked In Reviews ‘The Tinker’ (2023)
Set in a world far more decayed than our own, we follow The Tinker. An individual with a bit of a screw loose, […]
Jacked In Recommends ‘Rear Window’ (1954)
An Alfred Hitchock classic, Rear Window follows the life of L.B. Jeffries (James Stewart), a recently […]
Jacked In Reviews ‘Red Ocean Blues’ (2023)
We follow the story of, political candidate, Geoff (Chris Orton), as he pays a friendly visit to, potential voter, […]
Jacked In Reviews ‘Perspective’ (2023)
Perspective chucks you straight into the deep end as we follow the story of Mike (Velton J Lishke) – an […]
Behind The Scene Tales From ‘An American Werewolf In London’
John Landis’ An American Werewolf in London is a cult classic in the world of horror and owes a lot of the […]
Jacked In Reviews ‘Bird Drone’ (2023)
Radheya Jegatheva brings us a captivating story of a lonely seagull who befriends a drone.
Jacked in Reviews ‘Beetlejuice Beetlejuice’ (2024)
Tim Burton’s sequel to the 1988 cult classic once again follows the Deetz’s, with Lydia (Winona Ryder) […]
Jacked In Reviews ‘The Unbearable Weight of Massive Talent’ (2022)
Trisha Yearwood’s How Do I Live begins to play over the opening credits and we are met with two stoners watching […]
11 Reasons Why ‘Superman III’ Is Better Than You Remember
Superman has certainly come a long way ever since Christopher Reeve reignited the character on the big screen back […]
Jacked In Reviews ‘Sid’ (2023)
A tale that was just waiting to be told, Shahzaib Yaqoob’s short brings us a dark re-imagining, showing the […]
Jacked In Reviews ‘Breadwinner’ (2023)
Set in England, Oscar Bell’s Breadwinner presents an empathetic story during a time when the cost of living […]
Jacked In Reviews ‘Joker: Folie à Deux’ (2024)
The much-anticipated sequel to Todd Phillip’s groundbreakingly, grounded comic book movie is finally upon us. Now, […]