Today’s setting is the classic screen found at Newcastle’s Tyneside Cinema, with very apt red velvet seats in order to better enjoy Nicholas Cage’s dapper Dracula. However, that’s not whose story we’re here to see, it is in fact his infamous insect-eating, sinister, servant… Renfield (Nicholas Hoult).
Although not marketed as such, Renfield actually serves as a direct sequel to Tod Browning’s Dracula (1931). For any classic horror fan, it is a treat for the eyes to see a familiar flashback, with Cage and Hoult seamlessly added into some classic black and white cinema.

Cage – who has been waiting almost his entire acting career to sink his teeth into this role – absolutely steals the show as the Prince of Darkness, balancing suave and scary as well as bringing a hellish hilarity the way he does best.
Hoult showcases Renfield not as a willing servant but as someone trying to break free from quite a toxic relationship with the Count. Not only that but for the first time ever, an action-hero dynamic is brought to the character. Cage – who has been waiting almost his entire acting career to sink his teeth into this role – absolutely steals the show as the Prince of Darkness, balancing suave and scary as well as bringing a hellish hilarity the way he does best.
As far as tonality goes, the movie clearly isn’t trying to duplicate the style of the original. For what Dracula (1931) lacked in gore and action, this flick more than makes up for it, however, it still is nowhere near a groundbreaking masterpiece to that of its predecessor.
The supporting characters and overall story may be lacking but it’s definitely a fresh perspective on these household names but if you’re after a fun, blood-filled, action-comedy, this is the movie for you. And of course, why wouldn’t you want to see Nick Cage living his best life as Count Dracula?
Jacked In Recommends ‘The Descent’ (2005)
A year after the tragic loss of her husband and daughter, Sarah (Shauna Macdonald) goes on a hiking trip with her […]
Jacked In Reviews ‘The Flash’ (2023)
After an astonishingly long production period, audiences are finally given the “last” instalment in the […]
Jacked In Reviews ‘Clean Street’ (2023)
With a quirky opening – reminiscent of shows such as Bewitched (or Betty Boop in this case) – the tone […]
Jacked In Recommends ‘The Pagemaster’ (1994)
The Pagemaster follows the life of an over-cautious boy, Richard Tyler (Macaulay Culkin), who buries himself in […]
Jacked In Reviews ‘Joker’ (2019)
Brutal homicides, cigarettes and a cool as f*ck slow-motion dance down the stairs sequence (just ignore the Gary […]
Jacked In Reviews ‘The Surfer’ (2025)
As a yellow title contrasts against a gorgeous turquoise, Australian backdrop, it sets the colour palette for […]
Jacked In Recommends ‘Barbarian’ (2022)
Tess (Georgina Campbell) is visiting from out of town for the interview of a lifetime. Unfortunately, after a bit […]
Jacked In Reviews ‘MaXXXine’ (2024)
We first dropped down into the the late seventies with Ti West’s X, before journeying back to 1918 to see the […]
Jacked In Reviews ‘The Afterlife Photo’ (2023)
Director and writer, Tatsuaki Mizoi brings us an individual (Mitsuki Moriyama) who hires a photography studio to […]
Jacked In Recommends ‘The Father’ (2020)
Based on Florian Zeller’s play of the same name, The Father tells the story of Anthony (Anthony Hopkins), who […]
Behind The Scenes of John Carpenter’s ‘The Thing’
A story of psychological horror and isolation, featuring scares like you’d never seen before with its […]
Jacked In Recommends ‘Willow’ (1988)
Willow Ufgood (Warwick Davis) is a Nelwyn, born into the simple life of farming, with aspirations of one day, […]













