Similar to the Safdie brothers previous feature, Good Time, this movie does not take its foot off the pedal from the moment it starts. Not only that, but much like Punch, Drunk, Love this feature reminds us, Adam Sandler is an amazing actor!
We follow the lifestyle of Howard Ratner (Sandler), a jeweller, in a mountain of debt blessed with the gift of the gab. Constantly trying to outrun his problems, both socially and professionally. On the surface, he’s simply a gambling-addicted jeweller, that despite being battered and bruised (and then some) by those he’s gotten on the wrong side of (namely the mob), he always manages to bounce back looking for the next big score.
Further insight into his life however and we begin to see the other layers that makeup Howard Ratner. His wife Dinah (Idina Menzel) and kids shine a light onto Howards more Jewish values and sensibilities. His young, attractive, somewhat dim-witted secretary/mistress completes this headache of a love triangle. Howard’s luck seems to have finally changed when he stumbles upon a rare uncut rock of Ethiopian gem. Although this wouldn’t be the movie it is without one solution being followed by numerous extra problems.
Howard as an individual seems to use the stress around him as a sort of jolt, as in, he’s at his best when under pressure. Constantly moving from one problem to another, with his impenetrable optimism. As an onlooker, however, it’s like watching multiple near-miss crashes, one after the other. Almost like the sensation you get when on a rollercoaster, this feature leaves you in a constant state of anxiety.
Alfred Hitchock described suspense as letting the audience know there’s a briefcase under a table that’s about to explode in fifteen minutes. As opposed to the audience being unaware of the bomb, you go from having a quick fifteen-second surprise, to fifteen minutes of suspense. This analogy seems very apt for Uncut Gems. Only, in this instance, there are multiple bombs throughout the feature and they don’t all fully detonate until the closing credits, giving you 2 hours and 15 minutes of constant suspense.
Jacked In Recommends ‘The Lost Daughter’ (2021)
Based on the novel by Elena Ferrante, The Lost Daughter tells the tale of Leda (Olivia Colman), a middle-aged, […]
Jacked In Recommends ‘One Hour Photo’ (2002)
One Hour Photo follows the story of SavMart photo technician, Sy, The Photo Guy (Robin Willaims). However, although […]
Jacked In Reviews ‘Morbius’ (2022)
After a release date which was delayed time and time again, Sony’s Marvel movie, Morbius finally hits the big […]
The Most Memorable Movie Santas
Over the years there have been many Christmas movies, telling their own festive tales, however, there is one […]
Jacked In Reviews ‘Evil Dead Rise’ (2023)
We open with a particularly, classic, demonic POV as it gives us a tour of what seems to be a familiar woodland […]
Jacked In Reviews ‘Candyman’ (2021)
Warning this review has SPOILERS regarding Candyman (2021), so if you wish to keep the element of surprise intact, […]
Jacked In Recommends ‘Midsommar’ (2019)
We join Dani (Florence Pugh) and Christian (Jack Reynor), a young couple amidst a rocky relationship that is about […]
Behind The Scenes of ‘Back to the Future Part II’
A sequel that a lot of fans argue to be their favourite in the time-travelling trilogy, we have Back to the Future […]
Jacked In Reviews ‘Crimes of the Future’ (2022)
After more than a twenty-year hiatus from body horror, the legendary David Cronenberg makes his long-awaited return […]
Jacked In Recommends ‘Three Billboards Outside Ebbing, Missouri’ (2017)
After the local authorities fail to catch the people responsible for committing unthinkable crimes against her […]
Jacked In Reviews ‘Aldbrough’ (2023)
Gail Smith’s Aldbrough gives us a grainy, 8mm window into the past with archive footage of a town long gone.
Jacked In Reviews ‘Ghostbusters: Afterlife’ (2021)
As the eerie paranormal music begins to play over the opening credits of Ghostbusters: Afterlife you’re immediately […]













