Similar to the Safdie brothers previous feature, Good Time, this movie does not take its foot off the pedal from the moment it starts. Not only that, but much like Punch, Drunk, Love this feature reminds us, Adam Sandler is an amazing actor!
We follow the lifestyle of Howard Ratner (Sandler), a jeweller, in a mountain of debt blessed with the gift of the gab. Constantly trying to outrun his problems, both socially and professionally. On the surface, he’s simply a gambling-addicted jeweller, that despite being battered and bruised (and then some) by those he’s gotten on the wrong side of (namely the mob), he always manages to bounce back looking for the next big score.
Further insight into his life however and we begin to see the other layers that makeup Howard Ratner. His wife Dinah (Idina Menzel) and kids shine a light onto Howards more Jewish values and sensibilities. His young, attractive, somewhat dim-witted secretary/mistress completes this headache of a love triangle. Howard’s luck seems to have finally changed when he stumbles upon a rare uncut rock of Ethiopian gem. Although this wouldn’t be the movie it is without one solution being followed by numerous extra problems.
Howard as an individual seems to use the stress around him as a sort of jolt, as in, he’s at his best when under pressure. Constantly moving from one problem to another, with his impenetrable optimism. As an onlooker, however, it’s like watching multiple near-miss crashes, one after the other. Almost like the sensation you get when on a rollercoaster, this feature leaves you in a constant state of anxiety.
Alfred Hitchock described suspense as letting the audience know there’s a briefcase under a table that’s about to explode in fifteen minutes. As opposed to the audience being unaware of the bomb, you go from having a quick fifteen-second surprise, to fifteen minutes of suspense. This analogy seems very apt for Uncut Gems. Only, in this instance, there are multiple bombs throughout the feature and they don’t all fully detonate until the closing credits, giving you 2 hours and 15 minutes of constant suspense.
Jacked In Recommends ‘Rear Window’ (1954)
An Alfred Hitchock classic, Rear Window follows the life of L.B. Jeffries (James Stewart), a recently […]
Fictional Movie Bands We’d Love To See Live
It’s safe to say movies have incorporated some brilliant artists into their soundtracks over the years, […]
Jacked In Reviews ‘Mammoth’ (2023)
Đorđije Petrović’s Mammoth sees Nebojša (Vahid Džanković) pay a visit to the countryside with his wife and […]
Jacked In Recommends ‘Girl in the Picture’ (2022)
After the body of a young woman is found by the authorities, they discover she has left behind a son and a man […]
Jacked In Reviews ‘The Defender’ (2023)
Gary J Hewitt’s The Defender pretty much delivers what it promises on the tin. This is a story we’ve seen […]
Jacked In Recommends ‘There Will Be Blood’ (2007)
We find ourselves at the turn of the 20th century following the life of miner turned oilman, Daniel Plainview […]
Jacked In Reviews ‘Superman’ (2025)
As we look upon a vast arctic setting with a gorgeous blue hue, we are quickly brought up to speed with everything […]
Jacked In Recommends ‘The Cabin in the Woods’ (2011)
A group of young friends decide to take a small trip to a secluded cabin in the middle of the woods, where not […]
Jacked In Reviews ‘Dream Scenario’ (2023)
We recently paid a visit to Tyneside Cinema’s Gallery screen. The intimate space and alternative setting provided a […]
Most Memorable Stephen King Adaptations
When it comes to chilling someone to the very core, no one is more synonymous in the world of horror than Stephen […]
Jacked In Reviews ‘The Substance’ (2024)
We join the once-great Elisabeth Sparkle (Demi Moore) as she is abruptly pushed out of the spotlight – now […]
Jacked In Reviews ‘Die Hard’ (1988)
To solve the ongoing debate for whether or not Die Hard is in fact a Christmas movie, Jacked In’s Jack, […]













