As we open on the sequel for one of the greatest Spider-Man/Comic Book/Animated movies of all time, we’re welcomed by Gwen Stacey’s (Hailee Steinfeld) narration, setting the tone for Spider-Man: Across the Spider-Verse with “Let’s do things differently this time. So differently.”
And she’s not wrong. Starting this time around in Stacey’s universe, “so differently” is just right; the world around her looks as if it belongs in a beautiful painting made up of watercolours.

Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor. Within the numerous styles of animation – that all stink of effort – the sequel also uses stunning visuals to evoke a tone or feeling, not to mention, execute some pretty awesome action sequences.
Much like the first instalment, one of the bonuses of a Miles Morales (Shameik Moore) story is the freshness of it all. Bringing lesser-used villains like, Spot (Jason Schwartzman) doesn’t just show the potential that lies outside of regurgitating the same characters we’ve seen time and time again. It simply demonstrates how successful it can be to tell these alternative stories whilst simultaneously incorporating tons of delicious easter eggs for Spidey fans everywhere.

What elevates ‘Spider-Verse’ from a great Spider-Man movie to that of a great movie, in general, is the heart.
However, what elevates Spider-Verse from a great Spider-Man movie to that of a great movie, in general, is the heart. Whether it be something as simplistic as a father talking to his son through a door, an upside-down conversation or a mother seeing her young boy growing into a man, the emotional segments of these films overtake their live-action peers by leaps and bounds. One can only hope that the creativity and originality that this franchise brings manages to THWIP its way into other Comic Book properties.
Jacked In Reviews ‘Bite The Hand’ (2023)
Bite the Hand sees Grace (Lucy Shervington), an individual attending counselling for depression brought on by her […]
Jacked In Reviews ‘The Flash’ (2023)
After an astonishingly long production period, audiences are finally given the “last” instalment in the […]
Jacked In Reviews ‘Breadwinner’ (2023)
Set in England, Oscar Bell’s Breadwinner presents an empathetic story during a time when the cost of living […]
Jacked In Recommends ‘Hook’ (1991)
We meet Peter Banning (Robin Williams), a middle-aged, workaholic, lawyer who spends most of his days avoiding his […]
Jacked In Recommends ‘The Tinder Swindler’ (2022)
Swipe left, swipe right, left, right, left, left, right- IT’S A MATCH!.. Sound familiar? Tinder is one of the most […]
Jacked In Reviews ‘Uncut Gems’ (2019)
Similar to the Safdie brothers previous feature, Good Time, this movie does not take its foot off the pedal from […]
Vampire Movies You Can Really Sink Your Teeth Into
Vampires have been around for centuries, vampire movies, on the other hand, it wasn’t until the early 1900s that […]
Jacked In Recommends ‘Frailty’ (2001)
Frailty begins with numerous victims going missing all over Texas, courtesy of the God’s Hand Killer. All of a […]
Jacked In Reviews ‘Last Night in Soho’ (2021)
Edgar Wright’s Last Night in Soho is a psychological thriller that sees a young student who is able to travel back […]
Behind The Scenes of ‘Back to the Future Part II’
A sequel that a lot of fans argue to be their favourite in the time-travelling trilogy, we have Back to the Future […]
Jacked In Reviews ‘All My Friends Hate Me’ (2021)
All My Friends Hate Me is set over the course of a weekend, following the story of Pete (Tom Stourton), who is […]
Jacked In Reviews ‘John Wick: Chapter 4’ (2023)
Okay, let’s get down to it, boppers. As you settle into your IMAX cinema seat – all nice and cosy – the […]













