As we open on the sequel for one of the greatest Spider-Man/Comic Book/Animated movies of all time, we’re welcomed by Gwen Stacey’s (Hailee Steinfeld) narration, setting the tone for Spider-Man: Across the Spider-Verse with “Let’s do things differently this time. So differently.”
And she’s not wrong. Starting this time around in Stacey’s universe, “so differently” is just right; the world around her looks as if it belongs in a beautiful painting made up of watercolours.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor. Within the numerous styles of animation – that all stink of effort – the sequel also uses stunning visuals to evoke a tone or feeling, not to mention, execute some pretty awesome action sequences.
Much like the first instalment, one of the bonuses of a Miles Morales (Shameik Moore) story is the freshness of it all. Bringing lesser-used villains like, Spot (Jason Schwartzman) doesn’t just show the potential that lies outside of regurgitating the same characters we’ve seen time and time again. It simply demonstrates how successful it can be to tell these alternative stories whilst simultaneously incorporating tons of delicious easter eggs for Spidey fans everywhere.
What elevates ‘Spider-Verse’ from a great Spider-Man movie to that of a great movie, in general, is the heart.
However, what elevates Spider-Verse from a great Spider-Man movie to that of a great movie, in general, is the heart. Whether it be something as simplistic as a father talking to his son through a door, an upside-down conversation or a mother seeing her young boy growing into a man, the emotional segments of these films overtake their live-action peers by leaps and bounds. One can only hope that the creativity and originality that this franchise brings manages to THWIP its way into other Comic Book properties.
Jacked In Reviews ‘Uncut Gems’ (2019)
Similar to the Safdie brothers previous feature, Good Time, this movie does not take its foot off the pedal from […]
11 Reasons Why ‘Superman III’ Is Better Than You Remember
Superman has certainly come a long way ever since Christopher Reeve reignited the character on the big screen back […]
Jacked In Reviews ‘King & Pawn’ (2022)
Bringing humour to the pawn industry, we have Taylor Olson’s Canadian sitcom, King & Pawn.
Jacked In Reviews ‘Oh No, Guano!’ (2023)
Dan McGee’s Oh No, Guano! tells the story of an individual (Christian PK Reeve) trying to reach a job […]
Jacked In Reviews ‘Perspective’ (2023)
Perspective chucks you straight into the deep end as we follow the story of Mike (Velton J Lishke) – an […]
Jacked In Recommends ‘The Cabin in the Woods’ (2011)
A group of young friends decide to take a small trip to a secluded cabin in the middle of the woods, where not […]
Jacked In Recommends ‘The Butterfly Effect’ (2004)
Evan Treborn (Ashton Kutcher) has reached his adult years being a constant sufferer of blackouts which have caused […]
Jacked In Reviews ‘Orchid Moon’ (2023)
Orchid Moon follows the life of Harry (Jake Waring), a troubled individual with a burden he must suppress by any […]
Jacked In Recommends ‘V for Vendetta’ (2005)
Based on Alan Moore’s DC comic series of the same name, written for the screen by The Wachowski’s (The Matrix), V […]
Jacked In Reviews ‘The Ribbon’ (2023)
We open on a young girl surrounded by (a foreshadowing) darkness but before we have time to start feeling worried, […]
Jacked In Reviews ‘Da Block’ (2023)
Written by Jay Anthony Connor, director Velton J Lishke brings us the story of Mikey (Lladel Bryant) and Sully […]
Jacked In Reviews ‘Deadpool & Wolverine’ (2024)
What seems like a lifetime ago, we open up on Logan (Hugh Jackman) where we left him last… Dead. Seven years after […]