As we open on the sequel for one of the greatest Spider-Man/Comic Book/Animated movies of all time, we’re welcomed by Gwen Stacey’s (Hailee Steinfeld) narration, setting the tone for Spider-Man: Across the Spider-Verse with “Let’s do things differently this time. So differently.”
And she’s not wrong. Starting this time around in Stacey’s universe, “so differently” is just right; the world around her looks as if it belongs in a beautiful painting made up of watercolours.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor. Within the numerous styles of animation – that all stink of effort – the sequel also uses stunning visuals to evoke a tone or feeling, not to mention, execute some pretty awesome action sequences.
Much like the first instalment, one of the bonuses of a Miles Morales (Shameik Moore) story is the freshness of it all. Bringing lesser-used villains like, Spot (Jason Schwartzman) doesn’t just show the potential that lies outside of regurgitating the same characters we’ve seen time and time again. It simply demonstrates how successful it can be to tell these alternative stories whilst simultaneously incorporating tons of delicious easter eggs for Spidey fans everywhere.
What elevates ‘Spider-Verse’ from a great Spider-Man movie to that of a great movie, in general, is the heart.
However, what elevates Spider-Verse from a great Spider-Man movie to that of a great movie, in general, is the heart. Whether it be something as simplistic as a father talking to his son through a door, an upside-down conversation or a mother seeing her young boy growing into a man, the emotional segments of these films overtake their live-action peers by leaps and bounds. One can only hope that the creativity and originality that this franchise brings manages to THWIP its way into other Comic Book properties.
Jacked In Reviews ‘Titane’ (2021)
As the movie opens – following a brief tour of the underbelly of an automobile – we see a middle-aged […]
Behind The Scenes of John Carpenter’s ‘The Thing’
A story of psychological horror and isolation, featuring scares like you’d never seen before with its […]
Jacked In Recommends ‘Scott Pilgrim vs. the World’ (2010)
Bringing Bryan Lee O’Malley’s quirky, indie, graphic novel to life we have Edgar Wright’s Scott Pilgrim vs. […]
Jacked In Recommends ‘Flight of the Navigator’ (1986)
Flight of the Navigator follows the story of David (Joey Cramer), a typical 12-year-old boy in the year 1978. After […]
Jacked In Reviews ‘The Iron Claw’ (2023)
The pillars surrounding the screen at Tyneside Cinema provides the perfect opening, as a black and white man comes […]
Jacked In Reviews ‘Natura’ (2023)
From the opening shot, you’re immediately captured by an open woodland which truly readies you for being emersed in […]
Jacked In Reviews ‘Akira’ (1988)
Last year Akira was rereleased in 4K IMAX, reminding audiences why this visually stunning, mind-melting, […]
Jacked In Recommends ‘Midsommar’ (2019)
We join Dani (Florence Pugh) and Christian (Jack Reynor), a young couple amidst a rocky relationship that is about […]
Jacked In Reviews ‘Da Block’ (2023)
Written by Jay Anthony Connor, director Velton J Lishke brings us the story of Mikey (Lladel Bryant) and Sully […]
Jacked In Recommends ‘Don’t Look Up’ (2021)
Based on real events… That haven’t happened… Yet. Don’t Look Up tells the story of two minor league […]
Jacked In Reviews ‘Aldbrough’ (2023)
Gail Smith’s Aldbrough gives us a grainy, 8mm window into the past with archive footage of a town long gone.
Jacked In Reviews ‘The Defender’ (2023)
Gary J Hewitt’s The Defender pretty much delivers what it promises on the tin. This is a story we’ve seen […]