As we open on the sequel for one of the greatest Spider-Man/Comic Book/Animated movies of all time, we’re welcomed by Gwen Stacey’s (Hailee Steinfeld) narration, setting the tone for Spider-Man: Across the Spider-Verse with “Let’s do things differently this time. So differently.”
And she’s not wrong. Starting this time around in Stacey’s universe, “so differently” is just right; the world around her looks as if it belongs in a beautiful painting made up of watercolours.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor. Within the numerous styles of animation – that all stink of effort – the sequel also uses stunning visuals to evoke a tone or feeling, not to mention, execute some pretty awesome action sequences.
Much like the first instalment, one of the bonuses of a Miles Morales (Shameik Moore) story is the freshness of it all. Bringing lesser-used villains like, Spot (Jason Schwartzman) doesn’t just show the potential that lies outside of regurgitating the same characters we’ve seen time and time again. It simply demonstrates how successful it can be to tell these alternative stories whilst simultaneously incorporating tons of delicious easter eggs for Spidey fans everywhere.
What elevates ‘Spider-Verse’ from a great Spider-Man movie to that of a great movie, in general, is the heart.
However, what elevates Spider-Verse from a great Spider-Man movie to that of a great movie, in general, is the heart. Whether it be something as simplistic as a father talking to his son through a door, an upside-down conversation or a mother seeing her young boy growing into a man, the emotional segments of these films overtake their live-action peers by leaps and bounds. One can only hope that the creativity and originality that this franchise brings manages to THWIP its way into other Comic Book properties.
Jacked In Recommends ‘Don’t Look Up’ (2021)
Based on real events… That haven’t happened… Yet. Don’t Look Up tells the story of two minor league […]
Jacked In Reviews ‘John Wick: Chapter 4’ (2023)
Okay, let’s get down to it, boppers. As you settle into your IMAX cinema seat – all nice and cosy – the […]
Behind The Scene Tales From ‘An American Werewolf In London’
John Landis’ An American Werewolf in London is a cult classic in the world of horror and owes a lot of the […]
Jacked In Recommends ‘The Father’ (2020)
Based on Florian Zeller’s play of the same name, The Father tells the story of Anthony (Anthony Hopkins), who […]
Jacked In Reviews ‘Wish I Were There’ (2023)
Directed, written and animated by Neil Baker, Wish I Were There is an ode to the English seaside.
Vampire Movies You Can Really Sink Your Teeth Into
Vampires have been around for centuries, vampire movies, on the other hand, it wasn’t until the early 1900s that […]
Jacked In Reviews ‘Longlegs’ (2024)
We open on an Oregon farm in the dead of winter through the POV of what looks like a ‘70s home video. A young child […]
Jacked In Reviews ‘Don’t Worry Darling’ (2022)
Bungalow homes, cars that look like electric shavers and a round of Gibson’s for everyone. The ’50s […]
Jacked In Reviews ‘Doctor Strange in the Multiverse of Madness’ (2022)
Unlike previous MCU instalments, Multiverse of Madness sees Sam Raimi at the helm, the legendary director who, if […]
Jacked In Recommends ‘One Hour Photo’ (2002)
One Hour Photo follows the story of SavMart photo technician, Sy, The Photo Guy (Robin Willaims). However, although […]
Jacked In Reviews ‘The Matrix Resurrections’ (2021)
1999, the year a movie was released that broke grounds like no movie before it. It showed a bleak outlook on the […]
Jacked In Reviews ‘Breadwinner’ (2023)
Set in England, Oscar Bell’s Breadwinner presents an empathetic story during a time when the cost of living […]