As we open on the sequel for one of the greatest Spider-Man/Comic Book/Animated movies of all time, we’re welcomed by Gwen Stacey’s (Hailee Steinfeld) narration, setting the tone for Spider-Man: Across the Spider-Verse with “Let’s do things differently this time. So differently.”
And she’s not wrong. Starting this time around in Stacey’s universe, “so differently” is just right; the world around her looks as if it belongs in a beautiful painting made up of watercolours.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor.
Aside from turning things up to 11 by showing us how wide the Spider-Verse actually spans, we can see just how far things have come since this flick’s predecessor. Within the numerous styles of animation – that all stink of effort – the sequel also uses stunning visuals to evoke a tone or feeling, not to mention, execute some pretty awesome action sequences.
Much like the first instalment, one of the bonuses of a Miles Morales (Shameik Moore) story is the freshness of it all. Bringing lesser-used villains like, Spot (Jason Schwartzman) doesn’t just show the potential that lies outside of regurgitating the same characters we’ve seen time and time again. It simply demonstrates how successful it can be to tell these alternative stories whilst simultaneously incorporating tons of delicious easter eggs for Spidey fans everywhere.
What elevates ‘Spider-Verse’ from a great Spider-Man movie to that of a great movie, in general, is the heart.
However, what elevates Spider-Verse from a great Spider-Man movie to that of a great movie, in general, is the heart. Whether it be something as simplistic as a father talking to his son through a door, an upside-down conversation or a mother seeing her young boy growing into a man, the emotional segments of these films overtake their live-action peers by leaps and bounds. One can only hope that the creativity and originality that this franchise brings manages to THWIP its way into other Comic Book properties.
11 Reasons Why ‘Superman III’ Is Better Than You Remember
Superman has certainly come a long way ever since Christopher Reeve reignited the character on the big screen back […]
Jacked In Recommends ‘The Santa Clause’ (1994)
A movie responsible for a generation of adults spelling Santa Claus wrong, we have The Santa Clause. The story […]
Jacked In Recommends ‘Girl in the Picture’ (2022)
After the body of a young woman is found by the authorities, they discover she has left behind a son and a man […]
Jacked In Reviews ‘Joker: Folie à Deux’ (2024)
The much-anticipated sequel to Todd Phillip’s groundbreakingly, grounded comic book movie is finally upon us. Now, […]
Jacked In Reviews ‘All My Friends Hate Me’ (2021)
All My Friends Hate Me is set over the course of a weekend, following the story of Pete (Tom Stourton), who is […]
Jacked In Reviews ‘Babylon’ (2023)
With a trailer that promises quite the spectacle whilst simultaneously giving nothing away, it was hard to tell […]
Jacked In Reviews ‘Kinds of Kindness’ (2024)
If you go into the movie with no preconceptions, what initially appears to be a chapter set up eventually reveals […]
Jacked In Reviews ‘Morbius’ (2022)
After a release date which was delayed time and time again, Sony’s Marvel movie, Morbius finally hits the big […]
Jacked In Recommends ‘Eighth Grade’ (2018)
We follow the life of Kayla (Elsie Fisher), a social pariah who is in the process of completing Eighth Grade. A […]
Jacked In Reviews ‘Mammoth’ (2023)
Đorđije Petrović’s Mammoth sees Nebojša (Vahid Džanković) pay a visit to the countryside with his wife and […]
Jacked In Reviews ‘It’s John’ (2023)
It’s John follows amateur filmmaker Smithy Jones (Victor Hampson), and his rag-tag team of actors who are in the […]
Jacked In Reviews ‘Men’ (2022)
Following the passing of her husband, a young woman by the name of Harper (Jessie Buckley) decides to take a bit of […]