Okay, let’s get down to it, boppers. As you settle into your IMAX cinema seat – all nice and cosy – the film starts to begin, and then, without warning your eardrums burst at the sound of wrapped fists hitting a bloodied board. This isn’t our first rodeo, we know there’s only one man that can throw a punch like that and his name… is John Wick (Keanu Reeves).
From the word go, he does not stop to rest, John just does what needs to be done, going harder than ever before – with his signature headshots and overall badassery.
It’s fair to say, the stakes are well and truly raised in Chapter 4, with the “big baddy” of this sequel, the Marquis Vincent De Gramont (Bill Skarsgård) who has all of the table at his disposal – particularly John’s old acquaintance, Caine (Donnie Yen). Ever since the devastating loss of his dog in Chapter 1, John has been a force to be reckoned with whilst on his neverending vengeful quest – and this film is no exception. From the word go, he does not stop to rest, John just does what needs to be done, going harder than ever before – with his signature headshots and overall badassery.
It has to be said, director, Chad Stahelski plasters his strengths all over the screen from start to finish. As well as the usual insanely awesome stunts and choreography, the cinematography almost makes you feel like you’re playing a “shoot ’em up” videogame and watching live-action anime simultaneously. Especially with the elongated shots and the use of colour between the action beats, it beautifully complements this world of assassination and martial arts.
There’s something to be said about action movie franchises that up the ante with each instalment, running the risk of going too far, too ridiculous, and no longer within the realms of believability from where it started. However, the Wick series truly is the exception that proves this fact. Why? Maybe it’s due to the fact our leading man is played by one of the most loveable humans in Hollywood or perhaps it’s Reeves’ dedication to the role, which adds some legitimacy to the character. Either way, much like this chapter’s predecessors, we are happy following Mr Wick anywhere he wishes to take us and these movies definitely don’t look like they’ll be wearing thin anytime soon.
Jacked In Recommends ‘The Tinder Swindler’ (2022)
Swipe left, swipe right, left, right, left, left, right- IT’S A MATCH!.. Sound familiar? Tinder is one of the most […]
Jacked In Reviews ‘Sid’ (2023)
A tale that was just waiting to be told, Shahzaib Yaqoob’s short brings us a dark re-imagining, showing the […]
Jacked In Reviews ‘Red Ocean Blues’ (2023)
We follow the story of, political candidate, Geoff (Chris Orton), as he pays a friendly visit to, potential voter, […]
Jacked In Recommends ‘The One’ (2001)
Yulaw (Jet Li), former police of the multiverse gone rogue, travels to other dimensions offing alternate versions […]
Jacked In Recommends ‘I Don’t Feel at Home in This World Anymore’ (2017)
Putting up with all the unfairness the world has dealt her, the last straw is finally reached for Ruth (Melanie […]
Most Memorable Stephen King Adaptations
When it comes to chilling someone to the very core, no one is more synonymous in the world of horror than Stephen […]
Jacked In Recommends ‘Drive’ (2011)
Drive follows the story of a Hollywood stuntman/mechanic (Ryan Gosling) who also happens to moonlight as a getaway […]
Jacked In Reviews ‘Fire At Will’ (2023)
Put in the line of fire, both physically and emotionally, the centre of our story is Will (James Whetstone) – […]
Behind The Scenes of ‘Back to the Future Part II’
A sequel that a lot of fans argue to be their favourite in the time-travelling trilogy, we have Back to the Future […]
Jacked In Recommends ‘Super’ (2010)
Super follows the story of Frank Darbo (Rainn Wilson), a luckless fry cook who has literally only had two perfect […]
Behind The Scenes of Sam Raimi’s ‘Army of Darkness’
Travelling back in time, far away from the intimate cabin in the woods setting, we have Army of Darkness AKA […]
Jacked In Reviews ‘MaXXXine’ (2024)
We first dropped down into the the late seventies with Ti West’s X, before journeying back to 1918 to see the […]