Jacked In Reviews ‘Joker’ (2019)

Photo: Warner Bros. Pictures

Brutal homicides, cigarettes and a cool as f*ck slow-motion dance down the stairs sequence (just ignore the Gary Glitter part. . . He didn’t get any royalties so it’s all good), Todd Phillip’s Joker falls into the same category as Christopher Nolan’s Dark Knight, in that it’s not just a brilliant comic book movie, but a brilliant movie in general.

However, what worked as a strength for Nolan’s Joker (Heath Ledger), was the mystery behind the character, not knowing anything about his past made him more sinister. Pre-Joker, Arthur Fleck (Joaquin Phoenix) is the opposite. He provides a more in-depth look into how one of the most infamous characters in history came to be so twisted.

Making nods to the likes of Alan Moore’s The Killing Joke we see Arthur as a struggling comedian (of sorts). The difference being, the main mindset of the Joker in Moore’s graphic novel is “All it takes is one bad day to reduce the sanest man alive to lunacy”, whereas here the world has been beating down on Arthur for quite some time. Even the great Thomas Wayne is a bit of a d*ck to poor Arthur, but not to worry, he gets his!

With a lot of movies in this genre, if a villain is the lead, he then becomes an anti-hero. Todd Phillips went the other way. He gave viewers an insight into the abuse Arthur faced from a young age, well into his adult years. First and foremost, this movie is more of an insight into mental health and just happens to be about the Joker. The fact it is a comic book property, is secondary, separating it from a lot of hero/villain adaptations out there.

From start to finish you don’t see one kind hand extended to Arthur, causing you to empathise with the character, and perhaps more profoundly, understand why he is the way he is. This movie gives a straight approach to a very sensitive subject and totally nails it. It takes the character to depths darker than we’ve ever seen before on screen, whilst simultaneously being able to incorporate the zany side of, The Clown Prince of Crime, which we love so much. He’s also very thoughtful when it comes to opening doors for those who can’t reach the handle.

It succeeded in proving that you don’t need to copy the MCU’s formula and can instead concentrate on a solo movie with a solid plot and characters.

All in all, by saying you loved this interpretation, it doesn’t mean you’re swearing your alliance to it and dismissing the others, don’t worry. This is simply a different approach to the character with a new, gritty take on the world around him.

Rating: 4.5 out of 5.

Jacked In Reviews ‘The Suicide Squad’ (2021)

With the same premise as the previous movie (and obviously its literary inspiration) The Suicide Squad follows a […]

Read more

Jacked In Reviews ‘Bite The Hand’ (2023)

Bite the Hand sees Grace (Lucy Shervington), an individual attending counselling for depression brought on by her […]

Read more

Jacked in Reviews ‘Beetlejuice Beetlejuice’ (2024)

Tim Burton’s sequel to the 1988 cult classic once again follows the Deetz’s, with Lydia (Winona Ryder) […]

Read more

Jacked In Reviews ‘The Unbearable Weight of Massive Talent’ (2022)

Trisha Yearwood’s How Do I Live begins to play over the opening credits and we are met with two stoners watching […]

Read more

Jacked In Reviews ‘The Afterlife Photo’ (2023)

Director and writer, Tatsuaki Mizoi brings us an individual (Mitsuki Moriyama) who hires a photography studio to […]

Read more

Jacked In Reviews ‘The Substance’ (2024)

We join the once-great Elisabeth Sparkle (Demi Moore) as she is abruptly pushed out of the spotlight – now […]

Read more

Jacked In Reviews ‘Boiling Point’ (2021)

After perusing their menu, Jacked In’s, Jack, grabbed a seat at Tyneside Cinema on 13/01/2022 and ordered Philip […]

Read more

Jacked In Reviews ‘Candyman’ (2021)

Warning this review has SPOILERS regarding Candyman (2021), so if you wish to keep the element of surprise intact, […]

Read more

Jacked In Reviews ‘Everything Everywhere All at Once’ (2022)

As well as the trailer for Everything Everywhere All at Once being packed with variety, the tagline for this movie […]

Read more

Jacked In Reviews ‘All My Friends Hate Me’ (2021)

All My Friends Hate Me is set over the course of a weekend, following the story of Pete (Tom Stourton), who is […]

Read more

Jacked In Reviews ‘Script in Progress’ (2023)

Bruno Guillard’s Script in Progress aka En cours d’écriture sees a documentary crew following creative […]

Read more

Jacked In Reviews ‘Orchid Moon’ (2023)

Orchid Moon follows the life of Harry (Jake Waring), a troubled individual with a burden he must suppress by any […]

Read more